Dominant Ninth Harmonies in American Songs around 1900
dc.creator | Neumeyer, David | |
dc.date.accessioned | 2019-07-23T14:25:41Z | |
dc.date.available | 2019-07-23T14:25:41Z | |
dc.date.issued | 2019-07-23 | |
dc.description.abstract | Among many changes in creative practices in music during the nineteenth century was the freer treatment of the ninth above the dominant, including independent V9 harmonies. This essay discusses songs composed, performed, and published in the United States from roughly 1890 to 1920. Composers include, among others, Beach, Hageman, Herbert, MacDowell, Nevin, Rogers, and Sousa. | en_US |
dc.description.department | Music | en_US |
dc.identifier.uri | https://hdl.handle.net/2152/75184 | |
dc.identifier.uri | http://dx.doi.org/10.26153/tsw/2290 | |
dc.language.iso | eng | en_US |
dc.relation.ispartof | UT Faculty/Researcher Works | en_US |
dc.rights | Attribution-NonCommercial-NoDerivs 3.0 United States | * |
dc.rights.restriction | Open | en_US |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/3.0/us/ | * |
dc.subject | music theory | en_US |
dc.subject | music history | en_US |
dc.subject | American music | en_US |
dc.title | Dominant Ninth Harmonies in American Songs around 1900 | en_US |
dc.type | Article | en_US |