Ascending Cadence Gestures, A New Historical Survey, Part 5b3: Ira D. Sankey, Sacred Songs and Solos

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dc.creatorNeumeyer, David
dc.date.accessioned2024-02-12T16:44:49Z
dc.date.available2024-02-12T16:44:49Z
dc.date.issued2024-02-12
dc.description.abstractThis is the third supplement to an essay gathering compositions with ascending lines and cadence gestures in hymn collections published in the United States. The collection studied here is Ira D. Sankey, Sacred Songs and Solos, New Hymns and Solos, and The Christian Choir (London, 1903).
dc.description.departmentMusic
dc.identifier.urihttps://hdl.handle.net/2152/123645
dc.identifier.urihttps://doi.org/10.26153/tsw/50439
dc.relation.ispartofUT Faculty/Researcher Worksen
dc.rightsAttribution-NonCommercial-NoDerivs 3.0 United Statesen
dc.rights.restrictionOpen
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/us/
dc.subjectmusic theory
dc.subjectmusic history
dc.titleAscending Cadence Gestures, A New Historical Survey, Part 5b3: Ira D. Sankey, Sacred Songs and Solos
dc.typeArticle

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