Formal Functions in Menuets by Johann Sebastian Bach

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dc.creatorNeumeyer, David
dc.date.accessioned2017-11-14T19:38:07Z
dc.date.available2017-11-14T19:38:07Z
dc.date.issued2017-11-14
dc.description.abstractThe menuet entered into upper-class social dance, ballet, and opera no later than the 1660s, thanks largely to Jean Baptiste Lully. This essay charts formal functions (after Caplin) in named menuets by Johann Sebastian Bach, with additional commentary on his contemporaries in Germanophone countries.en_US
dc.description.departmentMusicen_US
dc.identifierdoi:10.15781/T2N58D28F
dc.identifier.urihttp://hdl.handle.net/2152/62602
dc.language.isoengen_US
dc.relation.ispartofUT Faculty/Researcher Worksen_US
dc.rightsAttribution-NonCommercial-NoDerivs 3.0 United States*
dc.rights.restrictionOpenen_US
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/us/*
dc.subjectmusic historyen_US
dc.subjectdance historyen_US
dc.subjectmusic theoryen_US
dc.subjectJohann Sebastian Bachen_US
dc.titleFormal Functions in Menuets by Johann Sebastian Bachen_US
dc.typeArticleen_US

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