Canine fields

This report details, through a series of interconnected anecdotes, my specific understanding of photography. It charts the paths that led me to this point, explains how, in the midst of an interdisciplinary studio art MFA program, I came to understand myself as a landscape photographer, and argues that such a label might actually be somewhat meaningless unless it eschews its traditionally “objective” connotations and embraces the urban landscape as a network of felt experiences.