Eclecticism and the American piano sonata : the assimilation of neoclassicim and the twelve-tone technique in the piano sonatas of Roger Sessions, Vincent Persichetti, and Ross Lee Finney

dc.contributor.advisorCrist, Elizabeth Bergmanen
dc.contributor.advisorNel, Antonen
dc.creatorSchumann, Michelle Veraen
dc.date.accessioned2011-08-08T16:20:03Zen
dc.date.available2011-08-08T16:20:03Zen
dc.date.issued2003-05en
dc.descriptionen
dc.description.abstractAs a genre, the piano sonata holds a vital place in the development of American music in the twentieth century. With well over four hundred American piano sonatas written within the past 100 years, the sheer number testifies to the genre’s popularity and demonstrates its importance within American music. In particular, the twentieth-century American piano sonata stands as a significant genre of choice for many composers. A selection of these piano sonatas illustrates a noteworthy stylistic shift from a neoclassical aesthetic to twelve-tone serial practice in the United States. Through a detailed study of the sonatas of Roger Sessions, Vincent Persichetti, and Ross Lee Finney, this treatise documents the shift from neoclassicism to twelve-tone serialism in the post-war era and the merging of these vi apparently different aesthetics. While these piano sonatas demonstrate the assimilation of two separate stylistic tendencies and contemporary languages, they also point to a broader, post-war tendency in American compositional style. The initial incorporation of the twelve-tone technique within a prevailingly neoclassical stylistic framework seems but a first step toward the further integration of disparate techniques and styles, yielding an eclecticism that propels American composition through the rest of the twentieth century and into the twenty-first. Roger Sessions, Vincent Persichetti, and Ross Lee Finney’s assimilation of separate styles and techniques shows a crucial stage in the development of a widespread American eclecticism. Their infusion of neoclassical stylistic elements into a twelve-tone language gives a glimpse of the broader prevalence of eclecticism within the American piano sonata genre and within American contemporary music as a whole.
dc.description.departmentMusicen
dc.format.mediumelectronicen
dc.identifier.urihttp://hdl.handle.net/2152/12923en
dc.language.isoengen
dc.rightsCopyright is held by the author. Presentation of this material on the Libraries' web site by University Libraries, The University of Texas at Austin was made possible under a limited license grant from the author who has retained all copyrights in the works.en
dc.subjectSessions, Roger, 1896-1985. Sonatas, pianoen
dc.subjectFinney, Ross Lee, 1906-1997. Sonatas, pianoen
dc.subjectTwelve-tone systeen
dc.subjectPersichetti, Vincent, 1915-1987. Sonatas, pianoen
dc.titleEclecticism and the American piano sonata : the assimilation of neoclassicim and the twelve-tone technique in the piano sonatas of Roger Sessions, Vincent Persichetti, and Ross Lee Finneyen
thesis.degree.departmentMusicen
thesis.degree.disciplineMusicen
thesis.degree.grantorThe University of Texas at Austinen
thesis.degree.levelDoctoralen
thesis.degree.nameDoctor of Musical Artsen

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