“The Ghosts of Waller Creek”: An Exploration of the Use of Applied Theatre and Site-Specific Performance as Methods for Public Participation in a City Planning Process
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Date
2011-08
Authors
Dahlenburg, Michelle Hope
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Graduate School of The University of Texas at Austin
Abstract
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Description
In this thesis, I explore applied theatre and site-specific performance workshops
as methods for public participation in city planning. “The Ghosts of Waller Creek”
program worked to foster interest in and facilitate dialogue around the redevelopment of
an abandoned urban creek area in Austin, TX. I explore three guiding questions: How
does an applied theatre practitioner foster collaboration with non-theatre artists on a
creative project that achieves common goals? How can applied theatre and site-specific
performance workshops and events foster place attachment and engage citizens in city
planning? How does an applied theatre practitioner translate participatory, applied theatre
workshops into an artifact that is useful to city planners? Using reflective practitioner
research processes and qualitative coding methods, I examine these questions through an
analysis of surveys, interviews, performances, discussions, field notes, and observations.
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I first explore the role that goals, communication, and reflection played in my
partnership with an urban designer. I then use place attachment theory to examine how
the workshops and events shifted participants’ interest in, and engagement with, Waller
Creek and city planning. Next, I investigate how performative artifacts such as audio
maps and interactive performances can communicate participants’ opinions about Waller
Creek to city planners and to the general public. Finally I discuss how the project situates
in the field of arts-based civic dialogue and address guidelines for future projects. This
thesis invites applied theatre practitioners to consider how their work can contribute to
arts-based civic dialogue in their own communities.