Tonal Frames in 18th and 19th Century Music

dc.creatorNeumeyer, Daviden
dc.date.accessioned2015-04-17T13:03:20Zen
dc.date.available2015-04-17T13:03:20Zen
dc.date.issued2012-08-12en
dc.description.abstractTonal frames are understood here as schemata comprising the "a" level elements of a time-span or prolongation reduction in the system of Lerdahl and Jackendoff, Generalized Theory of Tonal Music (1983), as amended and extended by Lerdahl (Tonal Pitch Space (2001). I use basic forms from these sources as a starting point but call them tonal frames in order to make a clear distinction, because I have a stricter view of the role of register.en
dc.description.departmentMusicen
dc.identifier.urihttp://hdl.handle.net/2152/29528en
dc.language.isoengen
dc.rightsAttribution-NonCommercial-NoDerivs 3.0 United Statesen
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/us/en
dc.subjectmusic analysisen
dc.titleTonal Frames in 18th and 19th Century Musicen
dc.typeArticleen
Files
Original bundle
Now showing 1 - 1 of 1
Loading...
Thumbnail Image
Name:
Neumeyer_tonal_frames.pdf
Size:
1.7 MB
Format:
Adobe Portable Document Format
Description:
article
License bundle
Now showing 1 - 1 of 1
No Thumbnail Available
Name:
license.txt
Size:
1.66 KB
Format:
Item-specific license agreed upon to submission
Description: