A study of Max Reger's treatment of sonata form in the sonatas for piano and violin

dc.contributor.advisorNot available
dc.creatorWilson, Leslie Lucille Milliren, 1945-
dc.date.accessioned2019-04-02T21:05:57Z
dc.date.available2019-04-02T21:05:57Z
dc.date.issued1974
dc.descriptionSince any formal analysis must show how the composer achieves unity, coherence, and continuity, the method used by the writer is what seems to work best in this respect for Reger--a descriptive analysis that shows what is happening as it happens, and how the form is made clear to the listener. For this purpose, the choice made was the first movement of Op. 122 because it, among the movements in question, is the least traditional regarding the handling of sonata form. An understanding of Reger's treatment of the form here will make possible a retrospective study, as it were, of the movements more closely resembling a typical sonata form movement. For purposes of comparison, only the first movements of Opp. 41, 72, 84, and 139, and the fourth movement of Op. 72 will be considered. The first two sonatas, Opp. 1 and 3, are essentially student works, published at the insistence of Reger's teacher. The two numbers of Op. 103b are small works, more in the nature of sonatinas. These four sonatas will therefore be omitted from the present study.
dc.description.departmentMusicen_US
dc.format.mediumelectronicen_US
dc.identifier.urihttps://hdl.handle.net/2152/73932
dc.identifier.urihttp://dx.doi.org/10.26153/tsw/1064
dc.language.isoengen_US
dc.relation.ispartofUT Electronic Theses and Dissertationsen_US
dc.rightsCopyright © is held by the author. Presentation of this material on the Libraries' web site by University Libraries, The University of Texas at Austin was made possible under a limited license grant from the author who has retained all copyrights in the works.en_US
dc.rights.restrictionRestricteden_US
dc.subject.lcshReger, Max, 1873-1916. Sonatas, violin & piano
dc.subject.lcshSonata
dc.titleA study of Max Reger's treatment of sonata form in the sonatas for piano and violinen_US
dc.typeThesisen_US
dc.type.genreThesisen_US
thesis.degree.departmentMusicen_US
thesis.degree.disciplineMusicen_US
thesis.degree.grantorUniversity of Texas at Austinen_US
thesis.degree.levelMastersen_US
thesis.degree.nameMaster of Musicen_US

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