Between Christ and Achilles : Christian humanism in crisis and a new heroic ideal in English fiction, 1713-1813

dc.contributor.advisorBarchas, Janine
dc.contributor.advisorHedrick, Elizabeth A.
dc.contributor.committeeMemberBertelsen, Lance
dc.contributor.committeeMemberBowden, Martha
dc.contributor.committeeMemberMarshall, Ashley
dc.creatorHall, Kirsten Anne
dc.date.accessioned2021-07-20T19:16:44Z
dc.date.available2021-07-20T19:16:44Z
dc.date.created2021-05
dc.date.issued2021-05-07
dc.date.submittedMay 2021
dc.date.updated2021-07-20T19:16:45Z
dc.description.abstractThis dissertation is about the disintegration of Renaissance Christian humanism in the Enlightenment and the literary efforts to reunite those fragments. The tension between the classical philosophical tradition and Christian theology is an old problem, one that up until the Renaissance had found compromise in Christian humanism. Under the changing historical conditions of the late seventeenth and early eighteenth centuries, however, it resurfaced as a new problem that old solutions could no longer manage. In England, the so-called “latitudinarians,” English theologians of the Restoration whose ideas were to mark the mainstream of Anglican thought well into the 1800s, were among the last torchbearers of Christian humanism and yet largely responsible for its decline. The latitudinarian emphasis on ethics over doctrine, in the wake of the civil strife of the seventeenth century, rendered the ethically-based systems of ancient writers newly tempting, opening the gates to the rising tide of freethinkers, atheists, and deists who in their efforts to free morality from the shackles of religion, turned to classical moral philosophy not as a complement to but as a replacement for Christian moral teachings. This conflict was memorably articulated by Richard Steele at the start of the century when he asked in The Christian Hero, “Why is it that the Heathen struts and the Christian sneaks in our Imaginations?” While Steele’s concern that his contemporaries had become too enthralled with the ancient world at the expense of Christianity is echoed throughout the period, what makes Steele’s essay especially noteworthy is the way he carves out a place for literature’s crucial role in this philosophical and religious crisis. Hs rallying cry for “Elegant Pens” to take up the cause of Christianity and win back not just the minds, but the hearts of its readers by offering attractive and powerful Christian “heroes” is one, I argue, that prompts the response of early novelists such as Samuel Richardson, Henry Fielding, Oliver Goldsmith, and, later, Jane Austen.
dc.description.departmentEnglisheng
dc.format.mimetypeapplication/pdf
dc.identifier.urihttps://hdl.handle.net/2152/86885
dc.identifier.urihttp://dx.doi.org/10.26153/tsw/13835
dc.language.isoen
dc.subject18th century
dc.subjectNovel
dc.subjectJane Austen
dc.subjectBritish literature
dc.subjectRichard Steele
dc.subjectOliver Goldsmith
dc.subjectNovelist
dc.subjectTheology
dc.subjectClassics
dc.subjectPhilosophy
dc.subjectJoseph Addison
dc.subjectEnlightenment
dc.subjectSamuel Richardson
dc.subjectHenry Fielding
dc.subjectEpic
dc.subjectHeroism
dc.titleBetween Christ and Achilles : Christian humanism in crisis and a new heroic ideal in English fiction, 1713-1813
dc.typeThesis
dc.type.materialtext
thesis.degree.departmentEnglish
thesis.degree.disciplineEnglish
thesis.degree.grantorThe University of Texas at Austin
thesis.degree.levelDoctoral
thesis.degree.nameDoctor of Philosophy

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