“[G]irlish Passion and Vanity”: Female Anger and Sympathy in George Eliot’s Early Novels

dc.creatorKilmer, Kerri
dc.date.accessioned2021-04-21T15:49:39Z
dc.date.available2021-04-21T15:49:39Z
dc.date.issued2020-05
dc.descriptionGeorge Eliot’s conception of sympathy in her early novels relies on anger, specifically the anger of her female characters, to be defined. Their repressed anger and identities represent and coopt Eliot’s project of sympathy precisely because it is denied to them within the novels.en_US
dc.description.departmentEnglishen_US
dc.description.sponsorshipMacKay, Carol
dc.identifier.urihttps://hdl.handle.net/2152/85394
dc.identifier.urihttp://dx.doi.org/10.26153/tsw/12358
dc.language.isoengen_US
dc.relation.ispartofStudent Worksen_US
dc.rights.restrictionOpenen_US
dc.subjectWriting Flag Awarden_US
dc.subjectGeorge Elioten_US
dc.subjectsympathyen_US
dc.subjectfeminismen_US
dc.subjectfeminist theoryen_US
dc.subjectfemale angeren_US
dc.subjectThe Mill on the Flossen_US
dc.subjectAdam Bedeen_US
dc.subjectangeren_US
dc.subjectMaggie Tulliveren_US
dc.subjectHetty Sorrelen_US
dc.title“[G]irlish Passion and Vanity”: Female Anger and Sympathy in George Eliot’s Early Novelsen_US
dc.typeOtheren_US

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