Cultural Warfare: Balkanization, Turbo-Folk, and the Croatian Response to Serbian Nationalism
| dc.creator | Rostami, Hasti (Aryana) | |
| dc.date.accessioned | 2021-05-20T12:51:32Z | |
| dc.date.available | 2021-05-20T12:51:32Z | |
| dc.date.issued | 2021-05 | |
| dc.description.abstract | Following the death of Josip Broz Tito in 1980 Yugoslavia was faced with a series of political and social uprisings and challenges that lasted for nearly two decades. The struggle for independence as well as nationalistic movements transformed the Balkan region not just in its politics and the economy but also in its culture. With the rise of nationalism, the music industry of the Balkans took a new route and a new music genre emerged to be known as Turbo-Folk. The paper examines the rise of Turbo-Folk alongside Serbian nationalism, its impact on the culture and music of the region, and the Croatian response to Turbo-Folk and Serbian aggression and aims to offer a better understanding of this music genreās use during its political period and study the artistic aspects of the cultural movements that it caused across the Balkan region. | en_US |
| dc.description.department | Slavic and Eurasian Studies | en_US |
| dc.description.sponsorship | Beronja, Vladislav | |
| dc.identifier.uri | https://hdl.handle.net/2152/86164 | |
| dc.identifier.uri | http://dx.doi.org/10.26153/tsw/13115 | |
| dc.language.iso | eng | en_US |
| dc.relation.ispartof | Student Works | en_US |
| dc.rights.restriction | Open | en_US |
| dc.subject | Yugoslavia | en_US |
| dc.subject | Balkanization | en_US |
| dc.subject | nationalism | en_US |
| dc.subject | turbo-folk | en_US |
| dc.subject | Balkan-pop | en_US |
| dc.subject | media/music | en_US |
| dc.subject | Serbia | en_US |
| dc.subject | Croatia | en_US |
| dc.subject | material culture | en_US |
| dc.subject | 1900s | en_US |
| dc.subject | 2000s | en_US |
| dc.title | Cultural Warfare: Balkanization, Turbo-Folk, and the Croatian Response to Serbian Nationalism | en_US |
| dc.type | Other | en_US |