Offenbach, Rising Melodic Gestures in Orphée aux Enfers (1858; rev. 1874)

dc.creatorNeumeyer, David
dc.date.accessioned2019-02-26T22:09:34Z
dc.date.available2019-02-26T22:09:34Z
dc.date.issued2019-02-26
dc.description.abstractOrphée aux Enfers was Jacques Offenbach’s first success with a full-scale operetta and remains for many the quintessential representative of the genre. This essay discusses ascending cadence gestures in the original two-act version (1858) and the expanded, four-act version (1874).en_US
dc.description.departmentMusicen_US
dc.identifier.urihttps://hdl.handle.net/2152/73504
dc.identifier.urihttp://dx.doi.org/10.26153/tsw/654
dc.relation.ispartofUT Faculty/Researcher Worksen_US
dc.rightsAttribution-NonCommercial-ShareAlike 3.0 United States*
dc.rights.restrictionOpenen_US
dc.rights.urihttp://creativecommons.org/licenses/by-nc-sa/3.0/us/*
dc.subjectmusic historyen_US
dc.subjectmusic theoryen_US
dc.subjectoperaen_US
dc.titleOffenbach, Rising Melodic Gestures in Orphée aux Enfers (1858; rev. 1874)en_US
dc.typeArticleen_US

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