Pan-American dreams : art, politics, and museum-making at the OAS, 1948-1976

dc.contributor.advisorGiunta, Andreaen
dc.contributor.committeeMemberBarnitz, Jacquelineen
dc.contributor.committeeMemberGuridy, Franken
dc.contributor.committeeMemberReynolds, Annen
dc.contributor.committeeMemberSmith, Cheriseen
dc.creatorWellen, Michael Gordonen
dc.date.accessioned2013-01-29T19:18:02Zen
dc.date.available2013-01-29T19:18:02Zen
dc.date.issued2012-12en
dc.date.submittedDecember 2012en
dc.date.updated2013-01-29T19:18:28Zen
dc.descriptiontexten
dc.description.abstractIn the 1950s and 1960s, the Organization of American States (OAS), a multinational political organization headquartered in Washington, DC, attempted to mediate U.S.-Latin American political and cultural relations. This dissertation traces how, in the United States, Latin American art emerged as a field of art historical study and exhibition via the activities of the OAS. I center my analysis on José Gómez Sicre and Rafael Squirru, two prominent curators who influenced the circulation of Latin American art during the Cold War. Part I focuses on Gómez Sicre, who served as head curator at the OAS from 1946 to 1981 and who founded the Museum of Modern Art of Latin America in 1976. I offer an analysis of Gómez Sicre’s aesthetic tastes, contextualizing them in relation to his contemporaries Alfred H. Barr, Jr., Marta Traba, and Jorge Romero Brest. I also discuss his efforts to build a network of art centers across the Americas, indicating how his activities fed into a Cold War struggle around notions of the “intellectual.” Part II examines the activities of poet and art critic Rafael Squirru, who served as Director of Cultural Affairs of the OAS from 1963 to 1970 and who theorized Latin American art in terms of the “new man.” I reconstruct how the phrase “new man” became a point of ideological conflict in the 1960s in a battle between Squirru and his political rival, Ernesto Ché Guevara. Throughout this dissertation, I indicate how Gómez Sicre and Squirru framed modern art within different Pan-American dreams of future world prosperity, equality, and cooperation. By examining the socio-political implications behind those dreams, I reveal the structures and limits of power shaping their influence during the Cold War. My study concentrates on the period from the founding of the OAS in 1948 to the establishment of the Museum of Modern Art of Latin America in 1976, and I contend that the legacies of Pan-Americanism continue to affect the field of Latin American art today.en
dc.description.departmentArt Historyen
dc.format.mimetypeapplication/pdfen
dc.identifier.slug2152/ETD-UT-2012-12-6625en
dc.identifier.urihttp://hdl.handle.net/2152/ETD-UT-2012-12-6625en
dc.language.isoengen
dc.subjectArt historyen
dc.subjectModernismen
dc.subjectLatin American arten
dc.subjectOrganization of American States (OAS)en
dc.subjectPan Americanismen
dc.subjectCold Waren
dc.subjectCultureen
dc.subjectCultural Policyen
dc.subjectJosé Gómez Sicreen
dc.subjectRafael Squirruen
dc.subjectAlfred H. Barr, Jr.en
dc.subjectMarta Trabaen
dc.subjectJorge Romero Bresten
dc.subjectErnesto Ché Guevaraen
dc.subjectNew manen
dc.subjectIntellectualen
dc.subjectAesthetic tastesen
dc.subjectDevelopmenten
dc.subjectMuseum of Modern Art of Latin Americaen
dc.subjectArt Museum of the Americasen
dc.subjectMuseum studiesen
dc.subjectLatin American studiesen
dc.titlePan-American dreams : art, politics, and museum-making at the OAS, 1948-1976en
dc.title.alternativeArt, politics, and museum-making at the OAS, 1948-1976en
dc.type.genrethesisen
thesis.degree.departmentArt Historyen
thesis.degree.disciplineArt Historyen
thesis.degree.grantorUniversity of Texas at Austinen
thesis.degree.levelDoctoralen
thesis.degree.nameDoctor of Philosophyen

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