And then, I wait

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dc.contributor.advisorAcha, Beverly
dc.contributor.committeeMemberLucas, Kristin
dc.contributor.committeeMemberStoney, John
dc.contributor.committeeMemberMcMaster, Richard Eric
dc.contributor.committeeMemberWilliamas, Jeff
dc.creatorMaguire, Kerry M.
dc.creator.orcid0000-0002-3426-2741
dc.date.accessioned2023-01-03T02:01:47Z
dc.date.available2023-01-03T02:01:47Z
dc.date.created2022-08
dc.date.issued2022-08-16
dc.date.submittedAugust 2022
dc.date.updated2023-01-03T02:01:49Z
dc.description.abstractThis report details the conceptual and material framework of my thesis artwork, Boundary Objects. I formulate an idea of ‘quotidian printmaking’ as a way of seeing fluctuations in the material world caused by climate change and human intervention. From the ‘quotidian print’ cascade four other contexts: the elemental, water, rumor, and drought. These five contexts are interrelated, but each can stand on its own. Using this lexicon, I define some possible frameworks for understanding my printmaking processes and my artwork.
dc.description.departmentStudio Art
dc.format.mimetypeapplication/pdf
dc.identifier.urihttps://hdl.handle.net/2152/117088
dc.identifier.urihttp://dx.doi.org/10.26153/tsw/43982
dc.language.isoen
dc.subjectPrintmaking
dc.subjectSculpture
dc.subjectClimate change
dc.subjectGlaciers
dc.subjectInstallation art
dc.titleAnd then, I wait
dc.typeThesis
dc.type.materialtext
thesis.degree.departmentStudio Art
thesis.degree.disciplineStudio Art
thesis.degree.grantorThe University of Texas at Austin
thesis.degree.levelMasters
thesis.degree.nameMaster of Fine Arts

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