Dominant Ninth Harmonies in the 19th Century

dc.creatorNeumeyer, David
dc.date.accessioned2018-11-19T13:26:47Z
dc.date.available2018-11-19T13:26:47Z
dc.date.issued2018-11-19
dc.description.abstractIn European music, freer treatment of the sixth and seventh scale degrees in the major key encouraged the use of independent V9 chords, which appear already early in the nineteenth century, are common by the mid-1830s, and are important to the process by which the hegemony of eighteenth-century compositional, improvisational, and pedagogical practices were broken down. This essay provides multiple examples of the clearest instances of the V9 as a harmony in direct and indirect resolutions.en_US
dc.description.departmentMusicen_US
dc.identifierdoi:10.15781/T2MG7GF8M
dc.identifier.urihttp://hdl.handle.net/2152/70307
dc.language.isoengen_US
dc.relation.ispartofUT Faculty/Researcher Worksen_US
dc.rightsAttribution-NonCommercial-NoDerivs 3.0 United States*
dc.rights.restrictionOpenen_US
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/us/*
dc.subjectmusic theoryen_US
dc.subjectmusic historyen_US
dc.subjectdance historyen_US
dc.titleDominant Ninth Harmonies in the 19th Centuryen_US
dc.title.alternativeA Gallery of Simple Examples Drawn from the Dance and Theater Repertoiresen_US
dc.typeArticleen_US

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