Doctoral thesis recital (voice (lecture))

dc.contributor.advisorUnable to determine
dc.creatorHerri, Irida
dc.date.accessioned2024-04-09T19:32:43Z
dc.date.available2024-04-09T19:32:43Z
dc.date.issued2024-04-08
dc.description.abstractVocal technique in the 17th century, particularly in the time of Barbara Strozzi : how the performance practice of her cantatas can be applied to the contemporary singing technique.
dc.description.catalogingnoteName of supervisor not provided
dc.description.departmentMusic
dc.format.mediumelectronicen
dc.identifier.urihttps://hdl.handle.net/2152/124784
dc.identifier.urihttps://doi.org/10.26153/tsw/51386
dc.relation.ispartofUT Electronic Theses and Dissertationsen
dc.rightsCopyright © is held by the author. Presentation of this material on the Libraries' web site by University Libraries, The University of Texas at Austin was made possible under a limited license grant from the author who has retained all copyrights in the works.en
dc.rights.restrictionRestricted
dc.subjectwomen composers
dc.subjectvocal technique
dc.subject17th century vocal music
dc.subjectperformance practice
dc.subjectBarbara Strozzi
dc.subject.lcshSinging
dc.subject.lcshVocal music--17th century
dc.subject.lcshStrozzi, Barbara, 1619-1677.
dc.subject.lcshPerformance practice (Music)
dc.titleDoctoral thesis recital (voice (lecture))
dc.typeAudiovisual
dc.type.genreThesisen
thesis.degree.departmentMusic
thesis.degree.disciplineVocal performance
thesis.degree.grantorUniversity of Texas at Austinen
thesis.degree.levelDoctoral
thesis.degree.nameDoctor of Musical Arts

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