Beyond the easel : the dissolution of abstract expressionist painting into the realm of architecture

dc.contributor.advisorShiff, Richarden
dc.contributor.committeeMemberClarke, John Ren
dc.contributor.committeeMemberCleary, Richard Len
dc.contributor.committeeMemberHenderson, Linda Den
dc.contributor.committeeMemberReynolds, Ann Men
dc.contributor.committeeMemberSmith, Jeffrey Cen
dc.creatorCostello, Eileen Elizabethen
dc.date.accessioned2013-04-05T16:55:48Zen
dc.date.issued2010-08en
dc.date.submittedAugust 2010en
dc.date.updated2013-04-05T16:55:48Zen
dc.descriptiontexten
dc.description.abstractA defining feature of American abstract expressionist painting is its enormous size and scale. Heroic ambition, the vast American landscape, and the sense of "something big" happening in American painting are often cited as determining factors in this phenomenon. This dissertation examines how Jackson Pollock, Barnett Newman, and Mark Rothko not only painted large-scale canvases but, following trends in modern architecture, shifted their painting towards the construction of architectural environments, thus promoting the transformation of painting from a window in the wall to a wall without a window. The artist and architect Tony Smith, a close friend and colleague of these painters, played an active role in encouraging their interest in modern architecture. As a result of their investigations into the physical, as well as conceptual, limits of the canvas, these artists shifted the viewer’s experience from a perceptual experience of pictorial space to a physical encounter with actual space. In contradiction to the notion of the purely optical, one could describe this as a somatic viewing experience, tactile and active, which anticipated specific concerns of 1960s minimalism. This achievement redefines Pollock's, Newman's, and Rothko's legacy to the subsequent generation of artists and places their production into a broader historical framework.en
dc.description.departmentArt Historyen
dc.format.mimetypeapplication/pdfen
dc.identifier.urihttp://hdl.handle.net/2152/19840en
dc.language.isoen_USen
dc.subjectJackson Pollocken
dc.subjectTony Smithen
dc.subjectBarnett Newmanen
dc.subjectMark Rothkoen
dc.subjectMarcel Breueren
dc.subjectPhilip Johnsonen
dc.subjectFrederick Kiesleren
dc.subjectPeter Blakeen
dc.subjectMural paintingen
dc.subjectModernist architectureen
dc.subjectAbstract expressionismen
dc.titleBeyond the easel : the dissolution of abstract expressionist painting into the realm of architectureen
dc.title.alternativeDissolution of abstract expressionist painting into the realm of architectureen
thesis.degree.departmentArt Historyen
thesis.degree.disciplineArt Historyen
thesis.degree.grantorThe University of Texas at Austinen
thesis.degree.levelDoctoralen
thesis.degree.nameDoctor of Philosophyen
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