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dc.contributor.advisorHoelscher, Steven D.en
dc.creatorGansky, Andrew Emilen
dc.date.accessioned2012-07-23T19:37:13Zen
dc.date.available2012-07-23T19:37:13Zen
dc.date.created2012-05en
dc.date.issued2012-07-23en
dc.date.submittedMay 2012en
dc.identifier.urihttp://hdl.handle.net/2152/ETD-UT-2012-05-5252en
dc.descriptiontexten
dc.description.abstractAndrew Moore’s series of photographs, Detroit Disassembled (2010), debuted in the United States in the midst of an escalating recession, mortgage and foreclosure crisis, and political fallout from federally-backed bank and automaker bailouts. Due to their subject matter, a number of viewers have interpreted the photographs as apt visualizations of contemporary crises. The photos depict the ruins of a cityscape scarred by decades of deindustrialization, economic decline, and significant outmigration. Shown in galleries, museums, on the Web, and published in a popular photo book, Moore’s images have circulated relatively widely. Viewers have responded to the photos through a variety of media outlets, and their impressions of the images have been melancholic, visceral, distressed, and deeply uncertain. Some viewers have attacked Moore for exploiting and aestheticizing Detroit’s suffering, others have perceived the images as a disturbing commentary on the state of the nation, and many have found the images beautiful, if desolate. The tensions between viewer responses, carrying the inflections of contemporary concerns, provide a valuable snapshot of how Moore’s photographs of Detroit have furnished a flashpoint and modulated a public discourse encompassing a number of interconnected apprehensions about the economy, deindustrialization, the environment, and social responsibility. However, Detroit’s protracted experience of decline and abandonment has made the intersection of aesthetics and urban politics in Moore’s photographs particularly controversial and troubling for some viewers. Because photographs are only partial glimpses of social and spatial phenomena, Moore’s images have proven versatile in their ability to distill and illustrate multifarious viewer concerns.en
dc.format.mimetypeapplication/pdfen
dc.language.isoengen
dc.subjectPhotographyen
dc.subjectDetroiten
dc.subjectAndrew Mooreen
dc.subjectRuinsen
dc.subjectPostindustrialismen
dc.titleAlluring decay, disquieting beauty : Andrew Moore’s Detroit photographsen
dc.date.updated2012-07-23T19:37:22Zen
dc.identifier.slug2152/ETD-UT-2012-05-5252en
dc.contributor.committeeMemberLewis, Randolphen
dc.description.departmentAmerican Studiesen
dc.type.genrethesisen
thesis.degree.departmentAmerican Studiesen
thesis.degree.disciplineAmerican Studiesen
thesis.degree.grantorUniversity of Texas at Austinen
thesis.degree.levelMastersen
thesis.degree.nameMaster of Artsen


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