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dc.contributor.advisorGoodman, Mark, 1946-en
dc.creatorYanas, Richard Josephen
dc.date.accessioned2011-08-08T15:39:28Zen
dc.date.available2011-08-08T15:39:28Zen
dc.date.issued2011-05en
dc.date.submittedMay 2011en
dc.identifier.urihttp://hdl.handle.net/2152/ETD-UT-2011-05-3379en
dc.descriptiontexten
dc.description.abstractThis graduate report is a chronological assessment of the photographic work, which I have produced during my three years in the UT Studio Art MFA program. I will highlight my use of photography as a mode to investigate both the physical and represented landscape. This mode has shifted focus since I first began the program. It has moved from a discourse engaging the fictional qualities of photographs, ever suggesting their tenuous relationship with the truth, to a more direct utilization of the power of a photograph as an actual document. Whatever the subject, my work is deeply rooted in a skepticism of media, structures and institutions. My camera acts as a probe to expose certain incongruities between the ways we view order and how that order is manifested.en
dc.format.mimetypeapplication/pdfen
dc.language.isoengen
dc.subjectPhotographyen
dc.subjectLandscapesen
dc.titleDecoy : illusion and intrusion in the act of photographyen
dc.date.updated2011-08-08T15:42:09Zen
dc.identifier.slug2152/ETD-UT-2011-05-3379en
dc.contributor.committeeMemberHubbard, Teresaen
dc.contributor.committeeMemberMiller, Melissaen
dc.contributor.committeeMemberSmith, Michaelen
dc.contributor.committeeMemberPerzynski, Bogdanen
dc.description.departmentStudio Arten
dc.type.genrethesisen
thesis.degree.departmentStudio Arten
thesis.degree.disciplineStudio Arten
thesis.degree.grantorUniversity of Texas at Austinen
thesis.degree.levelMastersen
thesis.degree.nameMaster of Fine Artsen


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