Show simple item record

dc.creatorSage, Sarah Michelle
dc.date.accessioned2011-08-08T15:02:10Z
dc.date.available2011-08-08T15:02:10Z
dc.date.created2011-05
dc.date.issued2011-08-08
dc.date.submittedMay 2011
dc.identifier.urihttp://hdl.handle.net/2152/ETD-UT-2011-05-3166
dc.descriptiontext
dc.description.abstractIn this paper, the imagery of public exhibition spaces, museums, and public collections is discussed in relationship to my body of work. I engage ideas of stillness, the creation of alternate realities, and how preconceptions shape interpretation. My interest in stillness and the activation of captured moments is expressed through the relationship between Cabela’s and my photographic archive. By compositing and reconstructing these images, I shift the viewer’s perception of reality. I thus explore how these aesthetic considerations generate fictitious interpretations. Dependent upon the viewer, my drawings transform the reality of the photographic so that we are confronted by the nature of our preconceptions.
dc.format.mimetypeapplication/pdf
dc.language.isoeng
dc.subjectDrawing
dc.subjectPrintmaking
dc.subjectMuseums
dc.titleStillness
dc.date.updated2011-08-08T15:02:18Z
dc.identifier.slug2152/ETD-UT-2011-05-3166
dc.description.departmentStudio Art
dc.type.genrethesis*
thesis.degree.departmentStudio Art
thesis.degree.disciplineStudio Art
thesis.degree.grantorUniversity of Texas at Austin
thesis.degree.levelMasters
thesis.degree.nameMaster of Fine Arts


Files in this item

Icon

This item appears in the following Collection(s)

Show simple item record