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dc.contributor.advisorHale, Kenneth, J., 1948-en
dc.creatorSage, Sarah Michelleen
dc.date.accessioned2011-08-08T15:02:10Zen
dc.date.available2011-08-08T15:02:10Zen
dc.date.issued2011-05en
dc.date.submittedMay 2011en
dc.identifier.urihttp://hdl.handle.net/2152/ETD-UT-2011-05-3166en
dc.descriptiontexten
dc.description.abstractIn this paper, the imagery of public exhibition spaces, museums, and public collections is discussed in relationship to my body of work. I engage ideas of stillness, the creation of alternate realities, and how preconceptions shape interpretation. My interest in stillness and the activation of captured moments is expressed through the relationship between Cabela’s and my photographic archive. By compositing and reconstructing these images, I shift the viewer’s perception of reality. I thus explore how these aesthetic considerations generate fictitious interpretations. Dependent upon the viewer, my drawings transform the reality of the photographic so that we are confronted by the nature of our preconceptions.en
dc.format.mimetypeapplication/pdfen
dc.language.isoengen
dc.subjectDrawingen
dc.subjectPrintmakingen
dc.subjectMuseumsen
dc.titleStillnessen
dc.date.updated2011-08-08T15:02:18Zen
dc.identifier.slug2152/ETD-UT-2011-05-3166en
dc.contributor.committeeMemberCanright, Sarahen
dc.contributor.committeeMemberPetersen, Bradleyen
dc.description.departmentStudio Arten
dc.type.genrethesisen
thesis.degree.departmentStudio Arten
thesis.degree.disciplineStudio Arten
thesis.degree.grantorUniversity of Texas at Austinen
thesis.degree.levelMastersen
thesis.degree.nameMaster of Fine Artsen


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