TexasScholarWorks
    • Login
    • Submit
    View Item 
    •   Repository Home
    • UT Electronic Theses and Dissertations
    • UT Electronic Theses and Dissertations
    • View Item
    • Repository Home
    • UT Electronic Theses and Dissertations
    • UT Electronic Theses and Dissertations
    • View Item
    JavaScript is disabled for your browser. Some features of this site may not work without it.

    After Umm Kulthūm : pop music, postcolonial modernity, and gendered national subjectivity in Cairo

    Thumbnail
    View/Open
    GILMAN-DISSERTATION.pdf (6.360Mb)
    Date
    2010-05
    Author
    Gilman, Daniel Jason
    Share
     Facebook
     Twitter
     LinkedIn
    Metadata
    Show full item record
    Abstract
    I argue that the ways in which members of the youth generation in Cairo, Egypt consume Arabic-language popular music, and the aesthetic criteria by which they evaluate the worth of various songs and singers, constitute a key component, along with corresponding criteria of political, racial, gendered, and cultural authenticity of Egyptian subjectivity, of a new form of Egyptian gendered national subjectivity in postcolonial modernity. These aesthetic and authenticating criteria are fundamentally interrelated, as one’s consumer preferences within genres of Egyptian popular music are often taken as indicative of the nature of one’s Egyptian subjectivity. For previous generations in postcolonial Egypt, discriminating taste for high modernist aesthetics in popular music, especially the singer Umm Kulthūm, comprised an aspect of desirable cultural modernity and authenticity. This aesthetic has been superseded among contemporary youth by an emphasis on direct emotional evocation as an index of authenticity. Correspondingly, youth in Cairo have come to judge the authenticity of their Egyptian subjectivity against the political subjectivity of their elders’ generations, and the authenticity of their gendered, racial, and cultural subjectivities against those of the West and those of other Arab countries, most particularly Lebanon.
    Department
    Anthropology
    Description
    text
    Subject
    Anthropology
    Cultural studies
    Egypt
    Pop music
    Postcolonialism
    URI
    http://hdl.handle.net/2152/ETD-UT-2010-05-1014
    Collections
    • UT Electronic Theses and Dissertations

    University of Texas at Austin Libraries
    • facebook
    • twitter
    • instagram
    • youtube
    • CONTACT US
    • MAPS & DIRECTIONS
    • JOB OPPORTUNITIES
    • UT Austin Home
    • Emergency Information
    • Site Policies
    • Web Accessibility Policy
    • Web Privacy Policy
    • Adobe Reader
    Subscribe to our NewsletterGive to the Libraries

    © The University of Texas at Austin

     

     

    Browse

    Entire RepositoryCommunities & CollectionsDate IssuedAuthorsTitlesSubjectsDepartmentsThis CollectionDate IssuedAuthorsTitlesSubjectsDepartments

    My Account

    Login

    Statistics

    View Usage Statistics

    Information

    About Contact Policies Getting Started Glossary Help FAQs

    University of Texas at Austin Libraries
    • facebook
    • twitter
    • instagram
    • youtube
    • CONTACT US
    • MAPS & DIRECTIONS
    • JOB OPPORTUNITIES
    • UT Austin Home
    • Emergency Information
    • Site Policies
    • Web Accessibility Policy
    • Web Privacy Policy
    • Adobe Reader
    Subscribe to our NewsletterGive to the Libraries

    © The University of Texas at Austin