Alternate cadences in recordings of "All the Things You Are" and "Embraceable You"
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Date
2021-07-15
Authors
Neumeyer, David
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Abstract
Some cadences in European and European-influenced tonal music show a contradiction in direction between registral stasis and linear movement, an example being alternative endings written into a song by Jerome Kern. The topic is explored through analysis of 51 recorded performances. In addition, a registrally complex cadence in Gershwin’s “Embraceable You” is surveyed through 44 recordings.