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dc.creatorNeumeyer, David
dc.date.accessioned2019-07-23T14:25:41Z
dc.date.available2019-07-23T14:25:41Z
dc.date.issued2019-07-23
dc.identifier.urihttps://hdl.handle.net/2152/75184
dc.identifier.urihttp://dx.doi.org/10.26153/tsw/2290
dc.description.abstractAmong many changes in creative practices in music during the nineteenth century was the freer treatment of the ninth above the dominant, including independent V9 harmonies. This essay discusses songs composed, performed, and published in the United States from roughly 1890 to 1920. Composers include, among others, Beach, Hageman, Herbert, MacDowell, Nevin, Rogers, and Sousa.en_US
dc.language.isoengen_US
dc.relation.ispartofUT Faculty/Researcher Worksen_US
dc.rightsAttribution-NonCommercial-NoDerivs 3.0 United States*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/us/*
dc.subjectmusic theoryen_US
dc.subjectmusic historyen_US
dc.subjectAmerican musicen_US
dc.titleDominant Ninth Harmonies in American Songs around 1900en_US
dc.typeArticleen_US
dc.description.departmentMusicen_US
dc.rights.restrictionOpenen_US


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Attribution-NonCommercial-NoDerivs 3.0 United States
Except where otherwise noted, this item's license is described as Attribution-NonCommercial-NoDerivs 3.0 United States