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dc.contributor.advisorMickey, Susan E.
dc.creatorVidic, Kelsey Elizabeth
dc.date.accessioned2017-12-11T16:55:53Z
dc.date.available2017-12-11T16:55:53Z
dc.date.created2017-05
dc.date.submittedMay 2017
dc.identifierdoi:10.15781/T2VQ2SS71
dc.identifier.urihttp://hdl.handle.net/2152/62958
dc.description.abstractThe expected makes me uncomfortable. I find my seed in belonging; I find my intention within the paradox of “being” versus “longing.” Through my journey to India, I have observed I feel most comfortable when I am adrift. Within this culminating installation Adrift, there is a focus on contrast and how that embodies true calmness. Shunryu Suzuki says, “Calmness of mind does not mean you should stop your activity. Real calmness should be found in activity itself.” Using this intimately immense concept while focusing on the contrast it naturally creates, this performative installation was my visual journey of be-longing.
dc.format.mimetypeapplication/pdf
dc.language.isoen
dc.subjectCostume design
dc.subjectInstallation
dc.titleAdrift
dc.typeThesis
dc.date.updated2017-12-11T16:55:53Z
dc.contributor.committeeMemberSawyer, Margo L
dc.contributor.committeeMemberIsackes, Richard M
dc.contributor.committeeMemberLynn, Kirk E
dc.description.departmentTheatre and Dance
thesis.degree.departmentTheatre and Dance
thesis.degree.disciplineTheatre
thesis.degree.grantorThe University of Texas at Austin
thesis.degree.levelMasters
thesis.degree.nameMaster of Fine Arts
dc.type.materialtext


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