Show simple item record

dc.creatorNeumeyer, David
dc.date.accessioned2017-07-03T14:19:14Z
dc.date.available2017-07-03T14:19:14Z
dc.date.issued2017-07-02
dc.identifierdoi:10.15781/T2NZ81040
dc.identifier.urihttp://hdl.handle.net/2152/47423
dc.description.abstractThe seventeenth century in Europe was a particularly rich time for experimentation in musical performance, improvisation, and composition. This essay, meant as an addendum to Ascending Cadence Gestures: A Historical Survey from the 16th to the Early 19th Century (published on Texas Scholar Works, July 2016), documents and analyzes characteristic instances of rising cadential lines in music by composers active in Germanophone countries--and, as it happens, particularly in the cities of Hamburg in the north and Vienna in the south.en_US
dc.language.isoengen_US
dc.relation.ispartofUT Faculty/Researcher Worksen_US
dc.rightsAttribution-NonCommercial-NoDerivs 3.0 United States*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/us/*
dc.subjectmusic historyen_US
dc.subjectmusic theoryen_US
dc.titleSeventeenth-Century Germany and Austria: Ascending Cadence Gesturesen_US
dc.typeArticleen_US
dc.description.departmentMusicen_US
dc.rights.restrictionOpenen_US


Files in this item

Thumbnail
Thumbnail

This item appears in the following Collection(s)

Show simple item record

Attribution-NonCommercial-NoDerivs 3.0 United States
Except where otherwise noted, this item's license is described as Attribution-NonCommercial-NoDerivs 3.0 United States