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dc.contributor.advisorKanoff, Scott
dc.creatorAtkins, Corey W., 1977-
dc.date.accessioned2016-08-31T15:55:05Z
dc.date.available2016-08-31T15:55:05Z
dc.date.issued2007-05
dc.identifierdoi:10.15781/T2F76674B
dc.identifier.urihttp://hdl.handle.net/2152/39737
dc.description.abstractThis thesis is a detailed account of my experience as director of the Department of Theatre and Dance’s Spring, 2007 production of Naomi Wallace’s Slaughter City at the University of Texas at Austin. I discuss the complete production process, from script selection to the final production, and on to responses to the production and personal reflection in hindsight. A director’s job is to foster and guide a collaboration with a team of fellow artists—designers, actors, technicians, etc.—and ensure that the collaboration results in a cohesive final production in which a story is clearly and evocatively told. This thesis is the story of how I learned to tell the story of this play.en_US
dc.format.mediumelectronicen_US
dc.language.isoengen_US
dc.relation.ispartofUT Electronic Theses and Dissertationsen_US
dc.rightsCopyright © is held by the author. Presentation of this material on the Libraries' web site by University Libraries, The University of Texas at Austin was made possible under a limited license grant from the author who has retained all copyrights in the works.en_US
dc.subjectStage productionen_US
dc.subjectStage directionen_US
dc.subjectTheatre productionen_US
dc.subjectTheatre directionen_US
dc.titleGetting to the heart of Slaughter City : a personal consideration of a directorial processen_US
dc.typeThesisen_US
dc.description.departmentTheatre and Danceen_US
dc.type.genreThesisen_US
thesis.degree.departmentTheatre and Danceen_US
thesis.degree.disciplineTheatreen_US
thesis.degree.grantorUniversity of Texas at Austinen_US
thesis.degree.levelMastersen_US
thesis.degree.nameMaster of Fine Artsen_US
dc.rights.restrictionRestricteden_US


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