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dc.contributor.advisorLynn, Kirken
dc.creatorMarotta, Gianna Christinaen
dc.date.accessioned2016-06-20T18:58:40Z
dc.date.available2016-06-20T18:58:40Z
dc.date.issued2016-05en
dc.date.submittedMay 2016
dc.identifierdoi:10.15781/T2DN3ZV9Men
dc.identifier.urihttp://hdl.handle.net/2152/38190en
dc.description.abstractThis thesis document discusses my development as a playwright and theater artist over the course of my three years in the MFA Playwriting Program at the University of Texas at Austin. As a framework for inquiry, I will focus primarily on how the practice of making my plays instructions for tuesday, The Caregiving Project, and 381 Bleecker helped me discover the compositional crisis of navigating my own consciousness in the present moment as my writing process. I hope to illuminate how the practice of making these three plays helped me discover writing as an act of increasing my own range of motion—of widening the parameters of the self I allow into my consciousness and my work.en
dc.format.mimetypeapplication/pdfen
dc.language.isoenen
dc.subjectCaregivingen
dc.subjectConsciousnessen
dc.subjectParameteren
dc.titleThe noise in my head note to self : the only way to tell this story is to tell manyen
dc.typeThesisen
dc.date.updated2016-06-20T18:58:40Z
dc.contributor.committeeMemberDietz, Stevenen
dc.contributor.committeeMemberEngelman, Lizen
dc.contributor.committeeMemberCarlson, Andrewen
dc.contributor.committeeMemberAlrutz, Meganen
dc.description.departmentTheatre and Danceen
thesis.degree.departmentTheatre and Danceen
thesis.degree.disciplineTheatreen
thesis.degree.grantorThe University of Texas at Austinen
thesis.degree.levelMastersen
thesis.degree.nameMaster of Fine Artsen
dc.creator.orcid0000-0002-7796-3273en
dc.type.materialtexten


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