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dc.creatorNeumeyer, Daviden
dc.date.accessioned2015-04-17T13:04:00Zen
dc.date.available2015-04-17T13:04:00Zen
dc.date.issued2015-03-21en
dc.identifier.urihttp://hdl.handle.net/2152/29531en
dc.description.abstractThis article uses an analogy between "theme" in literary studies and "background" in linear analysis (or other hierarchical analytic models) for music to find more options for interpretation than are available in traditional Schenkerian analysis. The central construct is the proto-background, or tonic-triad interval that is understood to precede the typical linear background of a Schenkerian or similar hierarchical analysis. Figures typically or potentially found in a background, including the Schenkerian urlinie, are understood to arise through (informal) transformations, or functions, applied to proto-backgrounds.en
dc.language.isoengen
dc.rightsAttribution-NonCommercial-NoDerivs 3.0 United Statesen
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/us/en
dc.subjectmusic theoryen
dc.subjectmusic analysisen
dc.subjectmusical formen
dc.titleProto-backgrounds in Traditional Tonal Musicen
dc.typeArticleen
dc.description.departmentMusicen


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Attribution-NonCommercial-NoDerivs 3.0 United States
Except where otherwise noted, this item's license is described as Attribution-NonCommercial-NoDerivs 3.0 United States