Musical logic : an alternate theatrical language
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This thesis is an examination of the concept of musical logic as a theatrical language, with my play Advance Man as a case study. This thesis synopsizes the play, and outlines the principles of musical logic, which is defined by the use of rhythm, repetition, and resonance. These concepts are illustrated with examples from the initial creation, revision, and UT production of Advance Man. The full text of Advance Man accompanies the thesis essay.