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dc.contributor.advisorHoelscher, Steven D.
dc.creatorWare, Amy Melissaen
dc.date.accessioned2014-04-30T20:06:29Zen
dc.date.available2014-04-30T20:06:29Zen
dc.date.issued2009-05en
dc.identifier.urihttp://hdl.handle.net/2152/24371en
dc.descriptiontexten
dc.description.abstractThis dissertation is the first historical-cultural exploration of the ways tribal customs made their way into mainstream America. Throughout his career, Cherokee entertainer and political pundit Will Rogers (1879-1935) drew on Cherokee traditions to ameliorate Americans' anxieties over the increase of mass media, the rise of urbanism, and the threatened loss of individuality that came with these changes. This study complicates overly-simplistic assumptions that popular culture uniformly misrepresented and victimized Native peoples during the Progressive Era and Interwar Years. By analyzing the early twentieth century through the work of one of its most influential American Indian participants, this project broadens notions of both American popular political cultures and American Indian identities. Although Rogers and other publicly known Natives like him did not always fit into the public's perception of "the Indian," they did fit into their tribe's artistic and cultural traditions. In this way, Rogers's overlooked work--his live performances on vaudeville and radio, his syndicated journalistic commentary, and his astounding film career--challenges scholarly understandings of the representation and misrepresentation of Native Americans. This study does not merely illuminate the intimate connections between Will Rogers and the Cherokee Nation. It further elucidates the ways American and specific American Indian tribal histories interact with one another. Scholars so often focus on the colonization and usurpation of Indian nations that we overlook the many times indigenous individuals and nations impact the United States in both positive and negative ways. This dissertation, in short, shows that scholars must reconsider essentialized notions of Indianness, turning instead to specific tribal histories and the ways these traditions intermingle with others to affect the whole.en
dc.format.mediumelectronicen
dc.language.isoengen
dc.rightsCopyright is held by the author. Presentation of this material on the Libraries' web site by University Libraries, The University of Texas at Austin was made possible under a limited license grant from the author who has retained all copyrights in the works.en
dc.subjectTribal customsen
dc.subjectAmerican cultureen
dc.subjectWill Rogersen
dc.subjectPopular cultureen
dc.subjectNative Americansen
dc.subjectCherokee Nationen
dc.titleThe Cherokee Kid : Will Rogers and teh tribal genealogies of American Indian celebrityen
dc.typeThesisen
dc.description.departmentAmerican Studiesen
thesis.degree.departmentAmerican Studiesen
thesis.degree.disciplineAmerican Studiesen
thesis.degree.grantorThe University of Texas at Austinen
thesis.degree.levelDoctoralen
thesis.degree.nameDoctor of Philosophyen


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