Serge Koussevitzky: recently discovered compositions for double bass and for large ensembles within the context of his life and career
Abstract
Serge Koussevitzky is best known as a conductor and is credited
with the growth and development of symphonic music, both in the United
States and in Europe. Also known as a great virtuoso of the double bass,
Koussevitzky’s previously published compositions comprise an integral
staple of repertoire for the instrument. The five previously published
works, with the publication of this document, are now augmented by three
new etudes for solo double bass (Allegro, Allegro molto, Andante) as well
as two arrangements for double bass and piano (Vocalise, Kol Nidrei).
Additionally, Koussevitzky also composed and arranged works for large
ensembles, some of which survive, including works for full orchestra
(Overture, Passacaille sur un thème Russe), chorus and orchestra (Fair
Harvard), wind ensemble (an arrangement of Johann Sebastian Bach’s
Prelude and Fugue in C Major, No. 17, BWV 547), and chamber orchestra
(an arrangement of "Christ lag in Todesbanden”). The history of these
compositions is only partially clear and impossible to fully reconstruct.
Additionally, recently discovered documents and correspondence clearly
indicate the Double Bass Concerto, often attributed to Reinhold Gliere,
was indeed composed by Koussevitzky. In total, thirty-four works can be
attributed to Koussevitzky, either as original compositions or
arrangements. Through his musical direction and guidance, the Boston
Symphony Orchestra, the Tanglewood Music Center, and eventually the
Serge Koussevitzky Music Foundation, Koussevitzky placed an emphasis
and commitment to new and original composition, an exercise he
apparently practiced himself throughout his entire career.
Department
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