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dc.contributor.advisorAntokoletz, Elliotten
dc.contributor.advisorFrittelli, Vincenten
dc.creatorPark, Sue-jeanen
dc.date.accessioned2011-08-10T14:25:15Zen
dc.date.available2011-08-10T14:25:15Zen
dc.date.issued2006-05en
dc.identifier.urihttp://hdl.handle.net/2152/12978en
dc.descriptiontexten
dc.description.abstractThe intention of this study is to show how the fantasia concept is developed in two different versions of the Carmen Fantasie for violin and orchestra, which stem from the original Carmen opera by Bizet. Specifically, I will compare the Sarasate and Waxman creations. How do these composers’ approaches differ in their compositional structure, violinistic idiom, and technical aspects? I will show how these issues are developed in connection with the concept of the "fantasie" genre. One notion to be dealt with is the variational approach, another idea of arrangement or transcription. In addition to the analytical exploration, different scholarly research materials will be used to establish a broader historical background, that is, composers’ careers and musical thought, violinistic development in the genre, and the immediate history of these compositional creations.
dc.format.mediumelectronicen
dc.language.isoengen
dc.rightsCopyright is held by the author. Presentation of this material on the Libraries' web site by University Libraries, The University of Texas at Austin was made possible under a limited license grant from the author who has retained all copyrights in the works.en
dc.subjectBizet, Georges, 1838-1875. Carmenen
dc.subjectSarasate, Pablo de, 1844-1908. Carmen fantaisieen
dc.subjectWaxman, Franz, 1906-1967. Carmen fantasyen
dc.titleThe concept of fantasie in two versions of the Carmen fantasie : Sarasate and Waxmanen
dc.description.departmentMusicen
thesis.degree.departmentMusicen
thesis.degree.disciplineMusicen
thesis.degree.grantorThe University of Texas at Austinen
thesis.degree.levelDoctoralen
thesis.degree.nameDoctor of Philosophyen


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