UT Faculty/Researcher Works
University of Texas at Austin faculty and researchers may submit their work to the UT Faculty/Researcher Works collection, by logging in to Texas ScholarWorks with their EID and password. Once you have logged in, please contact the Repository Curator at tsw@utlists.utexas.edu. The Repository Curator will set you up with submission privileges in this collection.
The UT Faculty/Researcher Works collection focuses on electronic research, scholarship, and creative works, as well as materials that primarily reflect the intellectual environment of the UT campus, created by faculty and researchers of the University of Texas at Austin.
Examples of possible content that can be submitted to this collection are:
- Peer-reviewed articles where license allows
- White papers, working papers and technical reports
- Manuscripts
- Presentations
- Digitized data
- Audiovisual material
- Any other form of research output that can be technically loaded to the repository.
If you would like more information about the submission process, including alternate submission workflows, please email the Repository Curator at tsw@utlists.utexas.edu
If you have questions about managing your data, please visit the Research Data Services website.
Recent Submissions
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Relationship between library collections and the recruitment and retention of faculty at UT Austin
(2020-06-30)The study at hand is an in-depth quantitative and qualitative analysis of the relationship between institutional resources and faculty who are making career decisions to answer the question “(How) do the library’s collections ... -
Ascending Cadence Gestures, A New Historical Survey: Index to Part 2
(2020-06-14)This file is a complete index to Part 2. It adds to Part 2d’s index all items in Parts 2e, 2f1, 2f2, and 2f3. -
Ascending Cadence Gestures, A New Historical Survey, Part 2f: to 1650, addendum 2
(2020-06-14)Part 2f of a multi-part essay gathers additional compositions with ascending and upper-register cadence gestures in European and European-influenced music before 1650. Compositions include instrumental and vocal music by ... -
The Dominant Ninth in Music from 1900 to 1924, Part 2
(2020-06-05)This continues the study of the major dominant ninth harmony in European and European-influenced music after 1900. Composers represented in Part 2 are Claude Debussy, Lili Boulanger, and Charles Griffes. Scholarship by ... -
The Dominant Ninth in Music from 1900 to 1924, Part 1
(2020-06-05)By about 1890, the major dominant ninth harmony had become firmly established in compositional and improvisational practice. After 1900, this harmony was routinely used in many musical genres. The two parts of this essay ... -
This is an online supplement to: Auditory evoked potentials: Differences by sex, race, and menstrual cycle and correlations with common psychoacoustical tasks
(Journal of the Acoustical Society of America, 2020) -
Supplemental figures (averaged waveforms) for: Auditory evoked potentials: Differences by sex, race, and menstrual cycle and correlations with common psychoacoustical tasks
(Journal of the Acoustical Society of America, 2020) -
The Dominant Ninth and Tonic Seventh in the Upper Tetrachord of the Major Key
(2020-03-18)Pieter van der Merwe, Derek B. Scott, and Norbert Linke have all written about the freedom with which nineteenth-century composers—especially those writing music for social dance and repertoires influenced by social ... -
Schubert, Deutsche Tänze, D. 128 (1812?): Scale Degree ^6, the Dominant Ninth, and Ascending Cadence Gestures
(2020-03-28)The 12 German dances, D. 128, are the earliest extant set of dances by Franz Schubert. This set is studied for figures that appear commonly in his later dance music: a free and expressive treatment of ^6 in the major key, ... -
The DOLCe Initiative: Connecting libraries and advanced computing
(2020-03)We present the Digital Object LifeCycle (DOLCe) initiative, an extension of the ongoing partnership between the University of Texas at Austin Libraries (UTL) and the Texas Advanced Computing Center (TACC). The pilot project ... -
Index to Ascending Cadence Gestures in Essays Published on the Texas ScholarWorks Platform: Update 2020
(2020-03-10)This file updates the Index published in January 2019. There are two sections. The first is a progress report on the project Ascending Cadence Gestures, A New Historical Survey. The second is an updated list of all ... -
A pictorial parade of Texas: attend the Texas centennial celebrations 1936
(Commission of Control for Texas Centennial Celebrations, 1936) -
The Austin Centennial Weekly: Official program of the University of Texas Centennial Exposition
(University Centennial Exposition, 1936) -
University Centennial Exposition Press Releases
(University Centennial Exposition, 1936) -
Open Educational Resources: What's Your Role?
(2020-02-21)Librarians from Austin Community College and UT Austin will lead participants through an introduction to open educational resources (OER). Participants will learn what OER are and why teachers and students might want to ... -
9th Annual Jackson School of Geosciences Student Research Symposium, February 15, 2020
(Jackson School of Geosciences; The University of Texas at Austin, 2020-02) -
‘Ain Ghazal Token Catalogue, by Type and Subtype
(Ex Oriente, 2013)‘Ain Ghazal Token Catalogue, by Type and Subtype -
Token Finds At Pre-Pottery Neolighic ‘Ain Ghazal, Jordan A Formal And Technological Analysis
(Ex Oriente, 2013)A collection of 137 clay and stone tokens from the Neolithic site of ‘Ain Ghazal in Jordan was studied in terms of formal and technological characteristics. The assemblage includes spheres, cones, and other shapes that are ... -
Tokens and Writing: The Cognitive Development
(Ex Oriente, 2013)The paper analyses the development of the power of abstraction as illustrated by the evolution of counting in the ancient Near East. Tokens indicate that counting was first done concretely in one-to-one correspondence. The ... -
Ascending Cadence Gestures, A New Historical Survey, Part 4b: 1780-1860, Polkas
(2020-01-08)This is Part 4b of a multi-part essay gathering compositions with ascending lines and cadence gestures in European and European-influenced music. The repertoire here is polkas published in Europe or the United States between ...
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