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dc.contributor.advisorWettlaufer, Alexandraen
dc.contributor.advisorMoore, Lisa L. (Lisa Lynne)en
dc.creatorRussell, Matthew Robert, 1969 Aug. 18-en
dc.date.accessioned2011-03-22T18:09:22Zen
dc.date.available2011-03-22T18:09:22Zen
dc.date.issued2009-05en
dc.identifier.urihttp://hdl.handle.net/2152/10620en
dc.descriptiontexten
dc.description.abstractFeeling forgotten charts a shift in late eighteenth- and early nineteenth-century English literature that is structured on a crisis of memory. This shift consists in a movement towards a literary construction of aesthetic and moral self-forgetfulness that draws its intense power from an anxiety about human mortality and historical forgetting. Through analyses of texts that depict the need to overcome individual and cultural loss through a desire for oblivion, Feeling forgotten contends that the Romantic period gave birth to anti-mnemonic aesthetic in which the displacement of a perceived loss of the feeling of lived memories into various literary fictions preserves the past in such a way as to answer an unavoidable loss of feeling by asserting that the past, one's own and others, can be felt (again) in the complex affective experience found in reading about the past. In a more ambitious sense, Feeling forgotten attempts to point the way towards an understanding of Romantic and post-Romantic nostalgia as a strong rejection of its melancholic forbearers and as a response to late eighteenth- and early nineteenth-century self-forgetting. Indeed, the rejection of this more complex Romantic form of nostalgia, one in which the always frustrated attempt to inscribe forgetfulness itself into the text of memory is productive of the ongoing act of writing, would become the founding principle for later forms of nostalgia that seek to render forgetting as an act that resides outside the written text. Based on a reorientation of Charlotte Smith's poetic archive of feelings, which defines feeling as the failure of poetry to contain and defuse feelings themselves, and the passionate rationalism of William Godwin's early nineteenth century texts, in which self-analysis serves as both the generator and corruptor of the sympathetic feelings found in sentimental literature, Walter Scott's passive, amnesiac romances stage the fantasy of an evasion from the political and material significance of history.en
dc.format.mediumelectronicen
dc.language.isoengen
dc.rightsCopyright is held by the author. Presentation of this material on the Libraries' web site by University Libraries, The University of Texas at Austin was made possible under a limited license grant from the author who has retained all copyrights in the works.en
dc.subjectEnglish literatureen
dc.subjectMemoryen
dc.subjectRomantic perioden
dc.subjectFeelingsen
dc.subjectForgettingen
dc.subjectSelf-forgetfulnessen
dc.subjectNostalgiaen
dc.subjectCharlotte Smithen
dc.subjectWilliam Godwinen
dc.subjectWalter Scotten
dc.titleFeeling forgotten : the survival of Romantic memory in Charlotte Smith, William Godwin, and Walter Scott, 1784-1815en
dc.description.departmentComparative Literatureen
thesis.degree.departmentComparative Literatureen
thesis.degree.disciplineComparative Literatureen
thesis.degree.grantorThe University of Texas at Austinen
thesis.degree.levelDoctoralen
thesis.degree.nameDoctor of Philosophyen


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