• Between chance and habit : the ink on plastic drawings of Jasper Johns 

      Heno-Coe, Gilles Reginald; 0000-0002-1895-6970 (2017-08-14)
      The ink on plastic drawings of Jasper Johns count as one of his most prolific and enigmatic media, and yet they stubbornly remain the least investigated on their own terms. As early as 1961, Johns became attracted to the ...
    • Between us an invisible column 

      LaDeau, Philip Ross (2014-05)
      This report chronicles the processes and influences relevant to my work as it has developed over the past three years. I examine how our human separateness and new technologies have effected myself and the work I create, ...
    • Deep end 

      Berg, Sonya Carol (2010-05)
      This report describes the processes, working habits, materials, and multiple iterations of my work over the past three years. I reflect more in depth on my final series of work in which I have incorporated images of empty ...
    • Interior sensation and exterior forces : cutting away 

      Salazar, Samantha Parker (2014-05)
      In my work, traditional printmaking techniques are pushed to their limits as a foundation for cut-paper installations and sculptures. The work reflects on notions of interiority and exteriority in relation to the body and ...
    • Space becomes a question 

      Johnston, Annie May (2016-05)
      This Master’s Report is a discussion of the ideas, research, and methods I have developed over the course of my three years of study at the University of Texas at Austin. As an artist I am interested in the mundane and the ...
    • Stillness 

      Sage, Sarah Michelle (2011-05)
      In this paper, the imagery of public exhibition spaces, museums, and public collections is discussed in relationship to my body of work. I engage ideas of stillness, the creation of alternate realities, and how preconceptions ...
    • Tracing difference : drawing, intimacy and privacy in New York studio practice, 1963-1979 

      Anania, Katherine Dolores; 0000-0002-2737-6265 (2016-05)
      This dissertation examines the shifting position of drawing from a private practice to a public one in experimental circles in 1960s and 1970s New York. While living and working in nearly-vacant industrial buildings in ...
    • Warp/Weft 

      Carter, Georgia Elizabeth (2015-05)
      This report will give an account of the materials, processes and content of the three projects made in the course of three years at The University of Texas at Austin. I will chronologically describe how the found photo has ...