Browsing by Subject "Optimality theory"

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Investigations of word order from a typological perspective
(2008-05) Harnisch, Marie Crevolin; Epps, Patience, 1973-
This paper, a review of the literature on word order typology, examines in detail a body of work (Comrie 1989; Comrie, Dryer, Gil, Haspelmath 2005; Dryer 1988, 1991, 1992, 2007; Greenberg 1966; Hawkins 1983; Lehmann 1973; Vennemann 1974) that made a major contribution to linguistics by introducing the subfield of typology and the study of word order across the world’s languages from a typological perspective. Greenberg’s (1966) seminal paper advanced an understanding of cross-linguistic tendencies that had been unknown at the time and which are still being investigated today, especially his three-way typology based on the relative position of V with respect to S and O. Lehmann (1973) and Vennemann (1974) pushed the VO/OV distinction which led to a reanalysis and diminishing of the role of S as an organizing parameter. Two theories, Vennemann’s Head-Dependent Theory and Hawkins’ Cross-Category Harmony, account for many attested correlation pairs, but neither is as strong as Dryer’s Branching Direction Theory in terms of explanatory adequacy, elegance, and adherence to observed cross-linguistic tendencies. As far as theoretical approaches, we note that generative grammar with its focus on single-language study cannot provide an account of the variations in the world’s languages, while the typological approach comes closer to describing universals of language based on empirical data. Finally, I present the idea that investigations of word order from a typological perspective can be successfully undertaken using a functionalist approach within the framework of Optimality Theory.
Poetic organization and poetic license in the lyrics of Hank Williams, Sr. and Snoop Dogg
(2010-12) Horn, Elizabeth Alena; Crowhurst, Megan Jane; Hancock, Ian F.; Epps, Patience L.; Mooney, Kevin E.; Fitzgerald, Colleen M.
This dissertation addresses the way a linguistic grammar can yield to poetic organization in a poetic text. To this end, two corpora are studied: the sung lyrics of country music singer Hank Williams, Sr. and the rapped lyrics of gansgta rap artist Snoop Dogg. Following a review of relevant literature, an account of the poetic grammar for each corpus is provided, including the manifestation of musical meter and grouping in the linguistic text, the reflection of metrical grouping in systematic rhyme, and rhyme fellow correspondence. In the Williams corpus, final cadences pattern much as in the English folk verse studied in Hayes and MacEachern (1998), but differ in that there are more, and therefore more degrees of saliency. Rhyme patterns reflect grouping structure and correlate to patterns in final cadences, and imperfect rhyme is limited to phonologically similar codas. In the Snoop Dogg corpus syllables do not always align with the metrical grid, metrical mapping and rhyme patterning often challenge grouping structure, and imperfect rhyme is more diverse, as has been shown to be the case for contemporary rap generally (Krims 2000, Katz 2008). Following Rice (1997), Golston (1998), Reindl and Franks (2001), Michael (2003), and Fitzgerald (2003, 2007), meter, grouping and rhyme are modeled as driving phonological, morphological and syntactic deviation in Optimality Theoretic terms. In the Hank Williams corpus, metrical mapping and grouping constraints are shown to drive a number of linguistically deviatory phenomena including stress shift, syllabic variation and allomorphy, while rhyme patterning constraints govern syntactic inversion. In the Snoop Dogg corpus, rhyme fellow correspondence and rhyme patterning constraints play a more significant role, driving enjambment, syllabic variation, and allomorphy. Some linguistically deviatory phenomena derive from ordinary language variation, e.g. (flawr)~(flaw.[schwa]r), and some do not, e.g. syllable insertion in insista. The latter is more common in the Snoop Dogg corpus.