♪ (piano) ♪ And lift around. And set down. Back, diagonal. And up. And set down in place. Relax. Should we go on from there? You think the ladies--Oh, no. We've got to do it together. Set your partner down. Ladies, follow miss (inaudible). Balancé, balancé. Take the hand. Port de bras. Balancé, balancé. Stay together. Port de bras. Balancé, balancé, Together. Up. Balancé, balancé. Right hand up. (inaudible) Ladies, go over to that side. >> (inaudible) >> First port de bra in front of the body. The second one (inaudible) take your partner's hand, turn it over like that. You go left-two-three, right-two-three, you take the hand, stay feet together, arm forward, port de bras. Left, right, neutral, out. Left, right, neutral, (inaudible). (inaudible) As this comes over, this one port de bras. As this comes over, this one port de bras. That's it, (inaudible). >> (inaudible) once? >> Alright. >> Ladies that way, gents this way. Five-six-seven-eight to the second phrase. ♪ (piano) ♪ Eight. Left, right, up, port de bras. Left, right, stay together, out. Left, right, stay together, port de bras. Left, right, up. ♪ (piano begins to fade) ♪ Okay. Let's try to put it together, please. With partners. Same. Five-six-seven-eight. ♪ (piano) ♪ And one, two, raise the arm over the head. Left, right, raise the arm. Left, right, (inaudible) Okay. Relax, relax. No music. ♪ (piano ends) ♪ Watch one real slow. Watch when you make contact. Watch one real slow, and watch when you make contact. With each other. One-- together. And one-two-three, two-two-three, and over the head. Left-two-three, right-two-three, hand over the head. Watch again. As (inaudible) comes around, that's when you should (inaudible). The boy is the one that brings her over the head and port de bras (inaudible). Set your partner down. And one, two, take the hand over the head. And left, right, take the hand over the head. And again, and two, take the hand, there we go. Let's (inaudible). Five-six-seven-eight. ♪ (piano) ♪ And one-- (clapping) -- two, hand over the head. And around your leg. And (inaudible) five, six, seven, and raise. (inaudible) You have to-- gentlemen, also, some of you are having a bit of trouble, you have to (inaudible). Although you're dancing separate from your partner, don't fall behind. If you set her down here, you must keep traveling with her. You go, and one, two, get next to her. You go up, you follow, get next to her. You should be absolutely next to your partner (inaudible). ♪ (piano) ♪ And-- (clapping)-- take the hand, (inaudible). Get close to her, take the hand, lower the (inaudible). Wait (inaudible). Wait for him, and over, (inaudible). (music stops) (inaudible) first couples. (inaudible) Wait for me. Okay? (inaudible) once again. ♪ (piano) ♪ One, two, up. Port de bras, take the arm over the head. Take the arm over the head, and seven, six, take the arm over the head. Okay, next one ladies. That's better. (music stops) Next four, same place. ♪ (piano) ♪ And one, two, neutral, out. (inaudible)-two-three, right, stay neutral, arm forward. (clapping to the beat) Neutral, arm forward. Up, arm forward, and raise. Alright, let's do it the way it's supposed to be done now. The third one opens, you do two complete. Let me tell you something else before we learn the rest of this. When you dance this type of dance (inaudible). You cannot (inaudible) only, where the arms (inaudible) the upper body on the arms is half of the dancer. Your legs are the other half. Your legs don't do (inaudible). One-third not only the legs, one-third the arms, the head, and the (inaudible), you see? If you do (inaudible) fourth position, you don't (inaudible) before pirouette (inaudible) I can see on the (inaudible). (inaudible) (inaudible) Let's do it correctly. You have two complete, the third one open. Don't watch only the legs, watch the upper body as well. (inaudible) for the music, complete phrase. ♪ (piano) ♪ (inaudible), two, up, four. Second, and up. The third one, open, and run to the middle, and position. (music stops) So you have two complete, let's do the third one. Two complete, you just open here, this is the third. One, two, three, open, run. Kneel, not all the way, help your partner around, and raise. Once again. ♪ (piano) ♪ Open, and run, kneel, and position. Okay, first four couples. (music stops) Same (inaudible). ♪ (piano) ♪ And one-- (clapping)-- two, up, stretch. (clapping to the beat) Up, stretch. Then open, run. And down, and position. (inaudible) there we go. Second couples. Not bad. Are we about one-third? >> No. >> Okay. Second couples. ♪ (piano) ♪ Left, right, stay neutral, forward. Left, right, stay neutral. Left, right, stay neutral, open and stay, run. Kneel. Okay, raise. These four couples once again. (music stops) Gentlemen (inaudible) step out. One-two-three, one-two-three, up, four. One... three, one-two-three, up, four. One-two-three, one-two-three, up, stay. Okay, once again these four couples. Okay. ♪ (piano) ♪ One-two-three, one, stay neutral, and forward. Side, side, stay neutral, and forward. Side, side, stay neutral, and hold as you open the arms, and run, down, and right arm up, left leg point (inaudible) facing your partner. Left leg point and do the rear. Face your partner. Face-- there we go. You take the ladies, I'll take the gents. Gentlemen, this side of the room. We'll try to run the next step, but I don't want to use the rest of the hour for it. I don't think (inaudible). There's no (inaudible). We have to (inaudible). Oh that's the other one, sorry. (inaudible) Okay. Where you left your partner. Plié, double on the down, step, (inaudible), hop, balancé. Seven-eight, (singing) ya-pa-pa-pa-pa (inaudible) balancé. Chassé en tournant. Balancé, chassé, plié, relevé attitude, por de bras, cabriole, balancé. (speaking in background) (singing) ya-pa-pa-pa Plié, relevé, and balancé. (inaudible) the music (inaudible). >> (inaudible) >> Seven-eight. Or five-six-seven-eight. >> (inaudible) >> Yeah. ♪ (piano) ♪ Up, up, balancé, chassé. Relevé, cabriole, chassé, (inaudible), up, cabriole, kneel. (music stops) Up, balancé. (conversing, inaudible) Pirouette, step, (inaudible), balancé, up, plié relevé, cabriole, balancé. >> (inaudible) cabriole? Oh. >> Plié relevé attitude, cabriole, balancé. (inaudible) a little slower. ♪ (piano) ♪ Up! (inaudible) relevé, cabriole, balancé. Right! Cabriole. (inaudible) ♪ (piano fades) ♪ Try it once. >> (inaudible) >> The other (inaudible) >> Try to come down through that right leg so you only have one step back. (inaudible) >> One more time. Ya-pah. Pa-pa-da. No, one more. No, (inaudible) going to the knee. Up! Up! Lean. Up. There you go. That's it. >> We're ready. >> (inaudible) (class laughs) (inaudible) before you finish. No, you don't. You step through. Here. (inaudible) step up. Brush, balancé, (inaudible). Relevé , cabriole, (inaudible), set plié, double, cabriole, up. >> Where do you finish that second turn? >> One, two. (stomps) >> Cabriole. >> I'm sorry. I missed it. >> Balancé, plié. Up, up, step, up, lunge. Try it once in the mirror. ♪ (piano) ♪ (inaudible) Up! Up! Balancé, two, three. Lunge, plié, cabriole, up. (inaudible) Cabriole, lunge, (inaudible). Okay. ♪ (piano stops) ♪ Do one more time. Same thing. After first (inaudible), step (inaudible). You land up. Sorry. (inaudible sounds) Up! Ball and balancé. (inaudible sounds) Relevé, cabriole, balancé. Once again. >> (inaudible) a little longer. (inaudible) ♪ (piano) ♪ >> (inaudible) (clapping to beat) (inaudible) Cabriole! (inaudible) Cabriole! Lean. Okay, great. ♪ (piano stops) ♪ In relation to the partner, what happens? Through the (inaudible). Same preparation. ♪ (piano) ♪ Up! (inaudible) Relevé, up! Balancé, up! Cabriole! ♪ (piano) ♪ Bring that a little more (inaudible) With your partners, please. Position of the arms. The way you hold an arm. Right them up. Spread it open. Isabelle, one step back so he won't run into you. One step front. Thanks, Kathy. Everyone and-- ♪ (piano) ♪ Go! (inaudible) (clapping) Drum! To her! (inaudible) Relevé, cabriole! (inaudible) Cabriole! On it. Back up the waist! Way of the knee! And (inaudible). A little bit more. That was great. (background talking) Do one more time. Same (inaudible), please. We have the time. There's two places specifically that you must connect with your partner. Finish here. (inaudible) Is to her. (inaudible) Relevé, cabriole, balancé. pirouette, cabriole, and... On her back. Those two places must connect. The arm is the (inaudible) Okay? Once again. >> (inaudible) >> Cabriole first, always. (inaudible), that's second. One, hop to the knee. There you go. Once again, same couples. ♪ (piano) ♪ (inaudible) (clapping) Cabriole, (inaudible), cabriole, (inaudible) to the knee, Weight on the knee! Weight on the knee! (to the tune of the music) And run up to her (inaudible). Okay, great. Same couples. Weight on the knee. First couple (inaudible) (making sounds to represent the dance moves) (inaudible) Second couples, please. Can we change the next step? (laughter) Okay. Same thing. ♪ (piano) ♪ (inaudible) (inaudible) Up with your partner! (inaudible) Cabriole! (inaudible) Cabriole! On to the knee, and lean back. Hold! Hold! Up and right. (inaudible) You should be closer to your partner. Closer to the partner. Okay, once again. Same four couples. >> (inaudible) >> You hold for about two counts, then you get up and you run quickly and you pull the (inaudible) close to your body. (audio cut) (inaudible) --extremely difficult. If you go from here and you go in back and the front, and the back and the front, you (inaudible), which is like this. And one and a two and a three and a lift. If you keep going back and front, and the front and the side-- (class laughter) So take her by the waist, and make sure you're glued to each other. >> It's all for (inaudible). You must (inaudible). >> Ah! (inaudible background talk) Same balancé. Come on. Glued to (inaudible). Seven and eight! (clapping rhythmically) Back and the front and the back. Good. And the sky. And the front. And the back. And the front. Next couple, please. (inaudible) This is second couple, right? There we go. First. You're in the wrong group, (inaudible). Ready? Seven and eight. (clapping) Back and the forward, you're glued to your partner! Glued to your partner! Glued to your--(inaudible). (background talking) Keeping the same glue between each other. Gentlemen. (inaudible) You are right in the back. Arms in (inaudible). Let me take the gents to the side. Come back. (inaudible) after you learn it. Don't make any turns. Don't make any turns, yet go over the length of the arm. The arm space. Use the back, front, open, lift. The arms already open. You go forward, you open, she'll open, and you lift. You open, you're-- Sorry. You go forward first. Back, front, (inaudible). (stomp) And you go eight turn in that lift. (inaudible) Repeat the same thing. Over, under, hold, lift. Okay? So the person going back-- >> Reach. >> The arms go over, they open, you wait for your partner, and you lift. And the lift, he has a slight (inaudible), so she can put the arms above yours. Okay? Alright. Place your partners. We're the same glue. Don't separate. The arms in fifth position, facing each other. On, back, up, up, and lift around, six, seven, down. Over, up, lift-- Oh, you went too far. Okay. So you, it (inaudible). Let's try again. From the top. Seven and eight. Five, six, seven, eight. Bing, bong, bong, bong-- ♪ (piano) ♪ ♪ (piano) ♪ Open! Stay close. Lift around. Back, forward, open, lift. ♪ (piano ends) ♪ First couples, please. (background talking) Okay, first couples, please. ♪ (piano) ♪ Arms over, wide, open, lift. Set down. Arms over, open, open. Raise once again! ♪ (piano ends) ♪ You're--Come back. How are we doing with time? >> Good. >> Okay. The port de bras must (inaudible). It's like doing this. But you have to do it twice. Back, forward, (inaudible). Boy, boy, laying, lift. You must one thing follow the other. You have, from (inaudible) position, boy goes over, he opens, she opens, and lift. One thing follows the other, okay? Once again. ♪ (piano) ♪ Boys over, open, open, and lift. >> Stay closer. >> Stand down. Back, boys open, ladies open, lift. Around, and come facing. ♪ (piano stops) ♪ Wait. (inaudible). There we go. Next couples, please. Yeah, right. Second couples. ♪ (piano) ♪ Arms over, open, (inaudible), lift. You're too far from each other. You'll never be able to lift her or (inaudible) Stay glue. Arms over, open, open, lift. Set her down. Now hold position. Once again, please. Close. ♪ (piano) ♪ You get better at it. On, arms over, boys open, ladies open, and lift. She's doing pirouettes. Boy, arms over, open. Ladies, lift. ♪ (piano) ♪ And down to position and hold. ♪ (piano ends) ♪ Would you please (inaudible) she's running (inaudible). (background conversation) >> And then you go back. One, two, three, turn, two, three, stay, two, three, lift. Okay, you're (inaudible). >> Two will go next section. >> Yeah, (inaudible). >> Ladies, this side. Men, this side. Only 10 men is all I need, alright? Huh? 10 men. >> 10 men. >> 10 men. Up position. Up, down, down, turn. Balancé, balancé, balancé, turn. Up, over, over, (inaudible), up, over, over, (inaudible). (inaudible) You have your positions with your partner. Up-- >> Turns. >> Down. Down. Turn. Up, down, down, turn. Up, down, down, turn. Lift, over, over, turn. The leg lifts close. This happens in the air. (inaudible) Right leg, balancé over. And over. (background) >> Upstage, and around in the back. >> (inaudible) balancé. (inaudible) balancé (background) >> By that time you should have passed center. Upstage. >> Over. Over, over, over, over, balancé, ba, ba, one, one, one. Make like a little jump over. Almost, almost. >> So you're turned to the right-- >> So we have right leg, over, over, turn. Lift, over, over, turn, right, over, over, (inaudible), lift. Over, over, (inaudible). (background talking) (making sound to go with the dance moves) (inaudible), watch this. Left leg, over, back, turn, position. Five, six, seven, eight, and to the next one. ♪ (piano) ♪ Up, down, down, turn, up, down, down, turn, up, down, down, turn, Up, down, (inaudible), our arms. >> Good! Stretch again at the end of that. Stretch. (background talking) (inaudible) once again. I'll (inaudible) this time. >> What do the arms do? >> Were you watching? (laughter) (inaudible) just a minute ago. You were looking at your feet. (cross talk) Position. Down, up, over, over, going up, port de bras, over, over, going up, port de bras, over, over, going up, port de bras, over, turn, up. (stomp) (inaudible with cough) ♪ (piano) ♪ Up! Down, down, arm up, up, down, down, arm up, up, down, down, arm up, up, down, turn, (inaudible). Okay. Close. (background talk) See if you cannot (inaudible). You guys (inaudible) the least. See here. Over, over, up. Forward, over, over, arm up. Port de bras, over, over, arm up. Port de bras, port de bras, bring it up. Your plié, (inaudible), that's it. The first port de bras. Raise your arms here. Only on the smoothest... angle, right. >> (inaudible) With the, here, right? >> Close. That's right. (inaudible) One more time. ♪ (piano) ♪ Port de bras, up. Down, down, turn, port de bras, down, down, turn, port de bras, up! Up! Okay, close. ♪ (piano ends) ♪ You have to (inaudible). Up, up, down, down. Down, down, and turn. (inaudible) Up, up, down, down, turn. Up, up, down, down. You have first (inaudible) up, (inaudible) down. ♪ (humming) ♪ Down and down and turn. Hup! Down, down, and turn. (inaudible) Once again. No, we've got half an hour. We run half an hour. Yeah, yeah, we got time. Oh, we'll finish this. One more time. ♪ (piano) ♪ And! Up, up, (clapping) down, down, turn. Up, up, down, down, make a little jump forward (inaudible), Up, over, over, turn. Up, over, turn, arm position. Okay, close. So we're going from the... Do they still remember the beginning? >> Yeah. >> You do? You (inaudible) from the boy that he's still in the middle. And the lady went around. She'll finish up crossing (inaudible) Eleven was the boy. We have from here, arms, run, run, run, knee. Come on up, back to the audience. Ah, ah, ah, other side. Arms come up. Back to the audience. About that speed. ♪ (vocalization) ♪ ♪ (vocalization) ♪ ♪ Back to fifth, hold body ♪ ♪ (vocalization ends) ♪ Okay. Play the ending before. Can you? >> (inaudible) >> ♪ (vocalization) ♪ ♪ (piano) ♪ Arms, (inaudible), and lean. Hold (inaudible). Run, run. Lean. Arms up. (inaudible) Up. ♪ (piano ends) ♪ That much. Run, run. Ladies, (inaudible). Ste-- Oh! (inaudible) behind. Buh, buh, buh, knee. Back, back to the audience. Looking at each other. Follow her. And knee. And back, back to the audience. Now, ladies, you have to shift the weight. You can't just use your lift. Up, (inaudible), lift. That leg goes around. Yeah. Spin, spin, spin. Five, six. By the waist and over. That's it. Yeah, help her with her hands. From here, it's very hard. Just one arm. Spin, spin, spin. Both hands and open. Chassé and lift her around. (inaudible) actually a little bit higher. Chassé and a lift around, ha, ha, ha, ha. (inaudible) and open. There you go. That's it. We'll try the first couples, please. ♪ (vocalizations) ♪ ♪ Run, run, (inaudible) ♪ Can you scatter? One front, one back, so you don't run into each other. Okay. Five, six, seven. ♪ (piano) ♪ Boys, run! And knee. Up, up, and look at your partner. And other side. And up! That's it. Lift around. Down and turn and positions and hold. Let's just do couples at a time. I can't see you. One, two. The ladies (inaudible), back to the audience. The boys in front of the knee. When that leg comes down, the boy follows around, and he has his back to the audience while the lady is open. Watch once again. Don't do it (inaudible). You have no music. ♪ (vocalization) ♪ Knee in front of her. As she lowers the leg down on the music, you get to the other side. Now you follow. You go once again in front of her on the (inaudible), you lower the leg, you go around her, and get to the other side. And you're ready for your chassé (inaudible) Okay? First two couples. Two couples on (inaudible). First two. Okay. ♪ (piano) ♪ Boys, go! Run! (claps) And knee! Back. Look at your partner. Run! And knee. Around. Look at your partner. Chassé. And up! Around. Around. Just spin, just spin, there's no balancé. Set her down. And open. And rest, looking at each other. Don't balancé, Hank. Just spin around. Next two couples. Next two couples. Or three couples. We can do with three. ♪ (humming) ♪ (inaudible) ♪ (piano) ♪ Boys, run. And knee. Stay looking at your partner! Other side! And knee. Around and up. Chassé. And up! And spin. And spin. And spin. Down. Both hands and rest. Let's do these couples once again. There was something I want to say. The drift of these things... is not to look where you're going. You have run, run. Just do it flat. You have you arm raised. Now, the boys mustn't do this. The head stays. Run, run, and down knee. Come on up, and you stay focused on your partner. You do the same thing the other side. Run, run. (inaudible), and you stay focused on your partner. Then from there chassé. Do not change here, okay? On the lift, chassé. With those spins, you have to move diagonally to the front of your next (inaudible). Straight across the footlights. When you come up from the lift, the ladies are in very awkward position. They come up. (inaudible). Use one arm from the back, then you straightened them out. And open. Okay, use both hands. These couples once again. Same place. ♪ (piano) ♪ Boys, run. Stay focused on your partners! (claps) Walk! There we go! Other side! And down. Stay focused on your partner. Chassé. Spin to the corner! Both hands. And open and raise. Can you fix the lift? She's doing wrong leg. She had front leg out to here, and the other one back. >> Put your left foot down first so all you do is... >> That's it. Next two couples, please. Well, we can do all four. Okay, two front, two back. Let's do it. Two front, two back. Last four couples. Okay, Charles. ♪ (piano) ♪ Boys, run. To the knee. Stay focused on your partner. Follow her. Down to the knee. And stay focused on your partner. Chassé. Lift! ♪ (piano ends) ♪ Let's do these couples once again. Would you do that last swing? The position for the last swing. You're here. Right? You wait for your partner. You have chassé. Up, and he's turning, looking at his partner. The lady's looking (inaudible). Use both hands to turn her to the front. Okay? Once again, these couples. Same place, Charles. ♪ (piano) ♪ Boys, run. And down. Around. Up. Run. And knee. And up. Chassé. And lift! Head away. Lead away. There's no balancé. Both hands and open. And (inaudible), no balancés. Just spins. We go on. Alright. I would advise you to lock your elbow on you're... on your stomach. Okay? You have failli, fouetté, little bourrées, and you come around. Other side. (inaudible), little bourrées, and up. And third time. (inaudible), little bourrées, come on up. And you have a good, romantic port de bras. And you look at each other. Failli has to be after the lift (inaudible). Both legs up, and she stays back on a good back bend where the (inaudible) is up, not sitting, on little tiny bourrées en pointe. Mark the ones behind this. (inaudible) And-- (making sounds for the moves) Little bourrées. And other side. And little bourrées. Three times. Okay? Start. No, no. If you have... If you're holding your partner like this, you'll never be able to do back turn. Her body goes here one the (inaudible) As we (inaudible) There you go. Don't hold upright. You have to scoop under. Get underneath the back. Try one this way. And scoop under. H--h--h--hold on. Just a few. One at a time. One at a time. And... (making sounds for the moves) Little bourrées, good. Failli. (inaudible) up. Little bourrées, okay. Make sure those... >> Parallel? >> Parallel, yes. (laughter) >> The kicks--You're turning around a little bit so (inaudible). >> Yeah, and bend the legs a little more so that it is a (inaudible). And failli and leg up. And bourrée up. Failli, and legs up. And-- Okay, (inaudible) (inaudible) One leg at a time, Christina. (making sounds to represent dance moves) Bourrée. One leg at a time. And a passé (inaudible). (inaudible) First passé, passé second. >> Well. >> Both. Okay. Once again. (making sounds to represent dance moves) And quicker, that second (inaudible) And on the bourrée, don't straighten out. The bourrée is here. Other side. And (inaudible). Bourrée. Keep your pelvis up. If you drop your pelvis, you end up doing a bourrée like this. Here. Next couples, please. Who hasn't tried it? The ones that haven't tried it, come on. One couple at a time. We're beginning from the right. Come forward, Molly. Five, six, seven, and eight. ♪ And a up, up, and bourrée. ♪ ♪ And a up. ♪ And-- Did you eat lunch today? (class laughter) Did you have breakfast? (making sounds for the moves) Little bourrées. (making sounds for the moves) Little bourrées. Next. And (inaudible). Little bourrées. And up. (inaudible), and little bourrées. And up. Don't come on up from the back lift to the bourrées. Don't straighten up. Next couple. (making sounds for the moves) On one leg at a time, and little bourrées. Other side. One leg at a time. Lift right! And little bourrées. More or less. Has anyone not done? (inaudible) ♪ (vocalization) ♪ Next (inaudible). >> Five, six, seven, eight? >> Mm-hmm. ♪ (piano) ♪ Easy. Up! Boom. And up! (inaudible), up, all around. ♪ (vocalization) ♪ ♪ (piano ends) ♪ And stop. >> (inaudible) >> Just up to here, yeah. >> Okay. So you have (inaudible), bourrée, and the turn. (inaudible), bourrée, and a turn. (inaudible), bourrée, and come on up, holding their hands. By the chest, lower the elbow. Good port de bras out. And take the same arm and look into each other's eyes. Okay? First couples. With the music. ♪ (piano) ♪ And up, up! Bourrées, up. Failli, and up. Bourrées. Change. Failli. (inaudible). Bourrées. Up. Now for port de bras. Look at each other. Okay, we, we haven't done this. We should probably then practice it. ♪ (piano ends) ♪ Do once again these couples. One more time. Okay. Same place. ♪ (piano) ♪ Failli. (inaudible). Little bourrées. (clapping) Failli. (inaudible). Little bourrées. Failli. (inaudible). Little bourrées. Slow now. Look away. At each other. Better. Next couples, please. ♪ (piano ends) ♪ Same place. ♪ (piano) ♪ Failli. Lift one! Failli. Up! Bourrée, up. Failli. Up! Bring it out. Port de bras. And out. Once again these three couples. You're turning into your partner, don't turn back to them. Jack, a partner. Facing your partner. >> Last time? >> Every time. And again. You go the other side. And it's facing to the partner, and the last one also. Then turn back to him. Once again, please. Same couples. ♪ (piano) ♪ Faili. Right legs! Little bourrées. Turn. Faili. Leg right! Bourrée. Turn. Faili. Right leg. Little bourrées, and... Port de bras. Look away. Look at each other as you straighten. And (inaudible). Okay. So little note for next time. We can do the upper-body after the bourrée and open. Then look (inaudible) upper-body. You have... Let's do it facing them. Why is the upper body (inaudible)? You're here. Faili and now up. Bourrées. Open! Faili. Now up. And bourrées. Open Okay, no stop facing your partner. >> A third time. >> (inaudible) already here, so you don't (inaudible) >> Out. And straighten. Okay? Let's make the connection to the last step. ♪ (vocalization) ♪ ♪ (vocalization) ♪ ♪ (vocalization continues) ♪ Okay, let's do that connection once. ♪ (vocalization) ♪ Okay? Should we go on from here? Okay. Good form arms. From passé, back bend, passé at the waist. Turn, balancé, balancé Passé back, passé front, turn. Balancé, balancé. Passé plié, passé front, turn-- ♪ (vocalization) ♪ Fourth time. And front. Turn over. There you go. Slow. Once again. ♪ (vocalization) ♪ One and a two, help her turn, ♪ (vocalization) ♪ Looking at each other. Back, front, help her turn, balancé, facing each other. Okay, stop. When you're looking away from each other, watch. You have your positions. You have-- And the back and front from here. Turn her back left, back left. Back, front, help her turn into each other. Faces, okay? Three times. The fourth time. Let's do just the last one. Balancé, balancé. This is the fourth one. And back and front, turn her, open. En chassé on eight. You'll be getting (inaudible). Okay? Let's mark it once with the music. ♪ (vocalization) ♪ And the rest. ♪ (piano) ♪ Make sure you look at each other. Five, six, and seven. Chassé and stop. Okay? First couples, please. Before (inaudible). First couples, please. How come you aren't doing, Mike? >> Well, I'm scared I'm going to hurt her. >> Well, there's three ladies standing right there without a partner. You aren't going to hurt them. >> What if I hurt me? >> Ah, okay, I understand. Same places. ♪ (piano) ♪ And back and the front, turn, balancé. Keep her on balance. On balance. Turn. Balancé, balancé. One and two. Turn. Balancé, balancé. Back, front, turn up. Chassé. Okay, little bit late. Great. She has to be on perfect balance. (inaudible) En passé back. Easy, easy. Passé back. Passé forward. Turn. (inaudible) Back, up on balance, turn, and under. (inaudible) The arms should be here. (inaudible) Okay? And (inaudible) that you don't have. There you go. Let's try once again. Same couples, please. Through the turn for the balances, all should be on balance. Back, on balance, turn, then travel together. Okay? Same couples. Same place. ♪ (piano) ♪ And the back and front, turn. Lock those arms under. Boy under. Back and front. Boy under the arch. Look at your partner. And look at your goal. Five, six, turn, chassé. Okay, that turn, you don't straighten it. You're looking at the hands. Look at the body. Arm under, but the face is to her. There you go. Five and a six and springing, chassé. Okay? Next couples, please. Same place. (inaudible), please. ♪ (piano) ♪ And back, front, balancé. (inaudible). Travel to the right. >> Straight across. Don't (inaudible). >> Turn. (inaudible), please. Who was your first partner for this? (inaudible), huh? It's the same balancé we did before. ♪ (vocalization) ♪ Glue. You have... Oh, Molly. (class laughter) And back, front, turn. Hold leg up. Turn. (inaudible) Hold. That way. ♪ (vocalization) ♪ Back, front, turn. ♪ (vocalization) ♪ Wait. (inaudible) each other. Once again, you're making a circle. He's going around you so. Drops to the side. Once again. (inaudible) ♪ (piano) ♪ And back, at the waist, turn to the side. Arms back, to the front. Five, six, quick turn, recover chassé. Okay, you're going to be late for the first lift. Should we go on with the lifts and the ending? Good. You want just one arm? How about I lift you? (inaudible) You did five, six. That last lift should be quick. On seven, so you chassé on eight. One, balancé, two, balancé, three, balancé, four, balancé. Semi-circle. First couples to try. (inaudible) You have seven, chassé. Lift, balancé. Lift, balancé. Lift, balancé. Lift, one, two, three. Five, six, seven, chassé. And up and down, two, three. Next couple. Five--Come downstage. Five, six, seven, chassé. Up, down, two, three. Up, down, two, three. Up, down, two, three. Up, down, two-- I don't think (inaudible) slow down that much for you. Next couple, please. Next couple. In front. Five, six, seven, chassé. And around and balancé. Up and a back. Say up and a back. Say up and a balancé. Okay, little bad. Head out, and it was more on the lift. Head out a little more on the lift. Next couple. Five, six, seven, chassé. Around and down, two, three. Up and down, two, three. Up, down, two, three. Up, and a down, two, three. Do the legs a little bit more around your (inaudible) if you can. Next couple. Five, six, seven, chassé. And around, down, two, three. Up and a down-- (inaudible) the proper legs, can you? (inaudible) >> Plié on your left. Land on on your right, which is your one, two, three. Plié, jump off your left. You're here in the air. Land on one leg. On your right leg. That's your one, two, three. >> Ready, go. Try once again. First couples. (inaudible) ♪ (piano) ♪ ♪ (piano stops) ♪ Straight back rows. Three couples. Straight back rows. (inaudible) Five, six, seven, chassé. Half turn, balancé, half turn, balancé. Half turn, balancé. Half turn, balancé. First three couples. One, two, three. >> Five, six, seven, eight. ♪ (piano) ♪ Seven, chassé. Up! Balancé. Up! Balancé! (clapping) Up! Balancé. Up! Balancé! (clapping ends) Each leap is a half turn, not a quarter. Same three couples, please. You do your chassé backwards from here, and it's half turn, balancé, half turn, balancé. You change position. One (inaudible). Chassé backwards here. Turn. ♪ (piano) ♪ Chassé. Up! Balancé! (clapping) Up! Balancé! Turn! Balancé! Turn. (clapping ends) Okay, I show you one time? (inaudible) (inaudible) Oh, you change, okay. Ladies, I change with these. Okay? On the last balancé. You finish crossing out here with a semi-circle with a lift. Lift, one, two, three, for the boys. And outside arc. Over, out, over, out, over, out, over, out. Boy closes, lady opens, boy closes, lady opens, boy closes, lady opens, boy closes, lady opens. And it's the outside legs and outside arms. Five, six, seven, and eight. Do three. One, two, three, four, outside, inside, outside, inside, outside, inside. Then you get to the center of the stage. How many girls is there? Ten? Play the lift for me, Charles. Same place we were picking up. ♪ (piano) ♪ No, no, play the lift before you do this. >> Same thing? >> Yeah, same thing. ♪ (piano) ♪ One, two, three, four, five, six, seven, eight, nine, ten. One, two, three, four, five, six, seven, eight! (class laughter) >> Got a little dizzy. >> There are ten counts. Lift, six, seven, eight, two, three. One, two, three, four, five, six, seven, eight, nine, ten. And stop there. Play from the lift once again. Pick up on the balancés. Okay. ♪ (piano) ♪ Chassé. Lift. Lift! Lift. Lift! Now. (clapping) In, out, three, four, five, six, seven, eight, nine, ten. That's enough. Okay. That's enough. ♪ (piano stops) ♪ ♪ (piano) ♪ Don't stiffen the arms coming in. Open. Curving, open. Yeah. (inaudible), and the ladies especially look out as you open. And in. Look at her. In. Look at her. In. Look at her. Lady opens. Both arms. Soften them so you have some place to open them. Okay? Once again. Same place, same couples. Oh, (inaudible). Change couples. Change couples. (class laughs) Same place, Charles. ♪ (piano) ♪ (inaudible), chassé. (inaudible) There you go. Out, in. (stomping to beat) Four, five, six, seven, eight, nine, ten. ♪ (piano ends) ♪ Okay. One week (inaudible). We decided yes then? >> (inaudible) Yeah. (audio cuts) ♪ (piano ends) ♪ No, play the quick one. ♪ (imitating song) ♪ ♪ (piano) ♪ (tapping foot to beat) ♪ (piano ends) ♪ Okay-- What? >> Plié (inaudible). ♪ (piano) ♪ ♪ (piano ends) ♪ >> (inaudible) Here we have ten, seven, eight. One in front. Last step. Do the connection. Nine and ten. You're in your nine, ten, two, three. Into each other. Two, three, four, five, six, seven, eight. That's--(inaudible) kick with both legs. Do once again. Up. Position. Help her up. Walk forward. To the knee. And look at your partner. Play it from the lift once again. Same place. All the way through until the end. Follow the cord, the last two cords with us. ♪ (piano) ♪ In, out. Six, seven, eight, nine, ten. One, two, three, four, five, six, seven, up! (inaudible) ♪ (piano ends) ♪ ♪ (mimicking piano ) ♪ (class laughter) Okay, alright. >> (inaudible) >> Yeah, I did. Can we do one from the top? (laughter) Oh, but we can not (inaudible). Once from the top, please. Come on. I go more than double. Take places while he's still running the music. >> (inaudible) (background talking) >> Shall we walk it once? >> Yes, please! >> Straight through, Charles. ♪ (vocalization) ♪ ♪ (piano) ♪ Lift. And (inaudible). Back. Lift. Down. And one, two. >> And one and two and three. >> One! Run. Knee. Up. Spins. Up. (inaudible) Relevé. Cabriole. Cabriole. Lean. Forward. Open. Legs up. ♪ (piano shifts) ♪ Up. Diagonal, diagonal. Faili. (inaudible). Bourrée. Turn. Faili. (inaudible). Bourrée. Turn. Faili. (inaudible). Bourrée. Up. Slow. Look eyes. Slow. ♪ (vocalization) ♪ (inaudible) Jump! Hup! Sashay. Hup! In, open, in, open, in, open. One, two, three, four, five, six, seven, up! Out. ♪ (piano ends) ♪ Okay. Alright. (applause) You want try and go it once? (class laughter) >> We can try. >> Let's try it. Come on. Once through. Only one. ♪ (piano) ♪ Easy. Back. And front. Back. Slow down. (inaudible) Back. Up! (inaudible) Try it again. (inaudible) Good. Up. Open! (inaudible) Lean. And (inaudible). Relevé. Cabriole. Balancé. Lift. Cabriole. (inaudible) ♪ (piano shifts) ♪ Open. Open. Open. Lift. (inaudible) Lean in. Open. Open. Lift. >> What's next? >> Hold solo! Up! Down! Down. Open. Blancé. Balancé. Balancé Good. Up. Over. Blancé. Relevé. (inaudible) Lean, up, lean back. Other side. Lean. Up. (inaudible). And spin. (clapping) ♪ (vocalization) ♪ Both hands. Faili. Fouetté. Little bourrées. Up. Faili. Fouetté. Lift. Rise up. Faili. Fouetté. Little bourrées. Up. Slow. Open. (inaudible) Both arms. Always. Run. Back, front, back, front. And the back. Front. Turn. Balancé, back. And back. Front. Balancé, back. And back and front. Turn. Balancé. Last one! (inaudible) Chassé! Up! Balancé. Lift! Your arms in a circle. (clapping) Outside again. In, out, in, out. In, out, in, out. One, two, three, four, five, six, seven, lift! And pose. Help her up, walk forward. And down on the knee. And done. (applause) (applause ends) (inaudible) You have done very good. Bravo! Thank you. (applause) (applause ends) (audience talking)