Dis/embodied choreography

Show full record

Title: Dis/embodied choreography
Author: Parkins, Michelle Elena
Abstract: This thesis investigates the intersection of physical and non-physical choreographic practices, culminating in a performed solo dance work titled Lilith. In a world increasingly consumed by virtual technology, the investigation is increasingly relevant to explore both in our personal lives and in the field of dance and choreography. This thesis examines the relationship between embodied and disembodied experiences while exploring the affect of these experiences on the mind cognitively and emotionally. In this thesis I investigate performances and written work about other choreographers’ investigations into computer-mediated methods of disembodying dance, laying the foundation for my own solo performance. Through experiential research into computer mediated-methods of altering choreography, I have explored the effect of non-physicalized ways of generating choreographic movement. I have equally investigated how a physically impulse driven movement has influenced the choreographic process. In the end, this work explores the tensional forces that lie between the physical and non-physical in a creative, choreographic process and attempts to find ways to create balance between the two.
Department: Theatre and Dance
Subject: Dance Choreography Embodiment Cognition Kinesthetic
URI: http://hdl.handle.net/2152/ETD-UT-2012-05-5128
Date: 2012-05

Files in this work

Download File: PARKINS-THESIS.pdf
Size: 698.0Kb
Format: application/pdf

This work appears in the following Collection(s)

Show full record


Advanced Search

Browse

My Account

Statistics

Information