The mediated gaze

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dc.contributor.advisor Canright, Sarah
dc.creator Abercrombie, Catherine Mary
dc.date.accessioned 2011-08-08T14:26:53Z
dc.date.available 2011-08-08T14:26:53Z
dc.date.created 2011-05
dc.date.issued 2011-08-08
dc.date.submitted May 2011
dc.identifier.uri http://hdl.handle.net/2152/ETD-UT-2011-05-3083
dc.description.abstract This report is a compilation of the influences that shape my current work. In this written representation of my process I mimic how ideas overlap and collide, rather than taking a chronological approach to my development over the past three years. The role of ornament to engage contemporary viewing is a dominant theme, in both my work and the report. I approach painting as an attempt to understand contemporary visual culture and how we look at objects today. My paintings rely on ornament as an entrance into exploring aesthetics and my personal history.
dc.format.mimetype application/pdf
dc.language.iso eng
dc.subject Painting
dc.subject Ornamentation
dc.subject Gouache
dc.subject Technique
dc.title The mediated gaze
dc.date.updated 2011-08-08T14:27:32Z
dc.identifier.slug 2152/ETD-UT-2011-05-3083
dc.contributor.committeeMember Sutherland, Daniel
dc.description.department Studio Art
dc.type.genre thesis
dc.type.material text
thesis.degree.department Studio Art
thesis.degree.discipline Studio Art
thesis.degree.grantor University of Texas at Austin
thesis.degree.level Masters
thesis.degree.name Master of Fine Arts

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