Staged encounters : Native American performance between 1880 and 1920

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Staged encounters : Native American performance between 1880 and 1920

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dc.contributor.advisor Cox, James H. (James Howard), 1968-
dc.creator Evans, Katherine Liesl Young
dc.date.accessioned 2010-12-03T14:39:53Z
dc.date.accessioned 2010-12-03T14:40:01Z
dc.date.available 2010-12-03T14:39:53Z
dc.date.available 2010-12-03T14:40:01Z
dc.date.created 2010-08
dc.date.issued 2010-12-03
dc.date.submitted August 2010
dc.identifier.uri http://hdl.handle.net/2152/ETD-UT-2010-08-1588
dc.description.abstract This dissertation explores the unique political and cultural possibilities that public performance held for Native American activists and artists in the late nineteenth and early twentieth century. Not only did these performance texts, generated in multiple genres, offer a counternarrative to the mainstream discourse of Native assimilation, they also provided Native writer-performers with a vehicle for embodying tribally-specific epistemologies, cosmologies, and diplomatic histories. These Native dramatists transformed the stage into a site of political possibility left unrealized on the printed page, a site where they could revise images of their peoples from shadows and stereotypes to sovereign nations. Included in this study are analyses of the speaking tours of Sarah Winnemucca Hopkins/Thocmetony (Northern Paiute), the performance poetry of Emily Pauline Johnson/Tekahionwake (Mohawk), an opera co-written by Gertrude Bonnin/Zitkala-Ša (Yankton Dakota), and pageants performed by the Garden River First Nation (Ketegaunseebee Anishinaabe). Drawing primarily on contemporary scholarship in Native American literary studies, including American Indian literary nationalism and internationalism, the burgeoning work in Native American performance studies, and methodologies from theater history, the following chapters contextualize both printed and performance versions of these texts with tribally-specific political, economic, and cultural histories, as well as performance reviews and broader federal Indian policy of the time.
dc.format.mimetype application/pdf
dc.language.iso eng
dc.subject Native American
dc.subject First Nations
dc.subject Performance
dc.subject Drama
dc.subject Literary nationalism
dc.title Staged encounters : Native American performance between 1880 and 1920
dc.date.updated 2010-12-03T14:40:01Z
dc.contributor.committeeMember Gonz�lez, John M.
dc.contributor.committeeMember Moore, Lisa L.
dc.contributor.committeeMember Murphy, Gretchen
dc.contributor.committeeMember Paredez, Deborah
dc.description.department English
dc.type.genre thesis
dc.type.material text
thesis.degree.department English
thesis.degree.discipline English
thesis.degree.grantor University of Texas at Austin
thesis.degree.level Doctoral
thesis.degree.name Doctor of Philosophy

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