| Title: | Deep end |
| Author: | Berg, Sonya Carol |
| Abstract: | This report describes the processes, working habits, materials, and multiple iterations of my work over the past three years. I reflect more in depth on my final series of work in which I have incorporated images of empty pool structures into paintings and large drawings. I consider the pool images metaphors for containment, control of the landscape, the unknowable, and in both a material and psychological sense, the void. The objects I exhibit, drawings, paintings and prints, are generated using a convoluted process. Rather than working in a systematic way, I negotiate rapid impulses, subjective goals, and thematic consistency. When I use figure/ground reversal and gestural drawing, I look to create a hand-touched surface that generates a sense of uneasiness in the composition, and a subjective disruption in the landscape. |
| Department: | Art and Art History |
| Subject: |
Painting
Drawing Landscape Swimming Pool |
| URI: | http://hdl.handle.net/2152/ETD-UT-2010-05-885 |
| Date: | 2010-05 |