Ugly war, pretty package: how the Cable News Network and the Fox News Channel made the 2003 invasion of Iraq high concept

Repository

Ugly war, pretty package: how the Cable News Network and the Fox News Channel made the 2003 invasion of Iraq high concept

Show simple record

dc.contributor.advisor Kearney, Mary Celeste, 1962-
dc.contributor.advisor Downing, John (John Derek Hall)
dc.creator Jaramillo, Deborah Lynn
dc.date.accessioned 2008-08-28T22:54:21Z
dc.date.available 2008-08-28T22:54:21Z
dc.date.created 2006
dc.date.issued 2008-08-28T22:54:21Z
dc.identifier.uri http://hdl.handle.net/2152/2540
dc.description.abstract Analyses of war coverage address its relation to historical fact, propaganda, and bias, but I see a great need to position war coverage within the context of the industry that produces and distributes news content. To divorce televised war coverage from the entertainment industry is to decontextualize it in the most fundamental way. This dissertation investigates the way in which Cable News Network (CNN) and Fox News Channel (FNC) positioned and packaged the U.S. military’s invasion of Iraq in March 2003 for a domestic audience. I place those two networks and the 2003 invasion of Iraq within the context of post-classical Hollywood filmmaking, one offshoot of which is high concept. I argue that high concept—a filmmaking practice inextricably linked to conglomeration, new technologies, and an incessant, self-preserving drive to market— can be applied productively to the study of television news. When infused with critical theory, high concept is a valuable way to understand the politics and construction of entertainment-driven war coverage. The industrial development of television news has yielded a media artifact that mimics the practice of high concept filmmaking narratively, stylistically, ideologically, and commercially. By using high concept as an alternative approach to television news, I propose that studies that disregard or marginalize visuals, sound, narrative, and the industry that profits from the spectacular packaging of those elements cannot fully capture the thrust of television news. By stripping television news of its stature as somehow divorced from and above the rest of television programming, I aim to re-insert it into the entertainment industry. My intent is to bring together theoretical and practical insights from different disciplines so that I can contextualize contemporary television news in a unique and compelling way. In doing so, this dissertation aims to contribute to the pursuit of democratic media.
dc.format.medium electronic
dc.language.iso eng
dc.rights Copyright © is held by the author. Presentation of this material on the Libraries' web site by University Libraries, The University of Texas at Austin was made possible under a limited license grant from the author who has retained all copyrights in the works.
dc.subject.lcsh Iraq War, 2003---Television and the war
dc.subject.lcsh Television broadcasting of news--United States
dc.subject.lcsh Cable News Network
dc.subject.lcsh Fox News
dc.title Ugly war, pretty package: how the Cable News Network and the Fox News Channel made the 2003 invasion of Iraq high concept
dc.description.department Radio-Television-Film
dc.identifier.oclc 72830033
dc.identifier.recnum b6129889x
dc.type.genre Thesis
dc.type.material text
thesis.degree.department Radio-Television-Film
thesis.degree.discipline Radio-Television-Film
thesis.degree.grantor The University of Texas at Austin
thesis.degree.level Doctoral
thesis.degree.name Doctor of Philosophy

Files in this work

Download File: jaramillod97054.pdf
Size: 1.159Mb
Format: application/pdf

This work appears in the following Collection(s)

Show simple record


Advanced Search

Browse

My Account

Statistics

Information